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Counterpoint in Composition
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Counterpoint in Composition (1969)Counterpoint in CompositionSchumann's a-Minor Mood (2016)Schumann's a-Minor MoodA Model for Scale-Degree Reinterpretation: Melodic Structure, Modulation, and Cadence Choice in the Chorale Harmonizations of J. S. Bach (2015)A Model for Scale-Degree Rein…The Metaphor of Musical Space (2003)The Metaphor of Musical SpaceDirecting Student Attention during Two-Part Dictation (1997)Directing Student Attention d…Narrative Structures for New Media: Towards a New Definition (1996)Narrative Structures for New …Leitmotiv in Russia: Glinka's Use of the Whole-Tone Scale (1990)Leitmotiv in Russia: Glinka's…New Approaches to the Linear Analysis of Music (1988)New Approaches to the Linear …A Schenker Bibliography: 1969-1979 (1979)A Schenker Bibliography: 1969…Women, Fire, and Dangerous Things (1987)The Condition of Postmodernity (1991)From etymology to pragmatics: Metaphorical and cultural aspects of semantic structure (1992)From Matrix to Map (2012)Turning music theory on its ear: Do we hear what we see? Do we see what we say? (2013)“Hearing music as . . .”: Metaphors evoked by the sound of classical music. (2019)Polnoe sobranie sochinenii (1973)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Music of the twentieth century: style and structure (1997)The Structure of Atonal Music (1973)The Structure of Atonal Music (1974)Structural Functions in Music (1977)Spatial and Psychoacoustic Factors in Atonal Prolongation (1997)Scriabin's Symbolist Plot Archetype in the Late Piano Sonatas (2000)Bruckner's symphonies: analysis, reception and cultural politics (2005)Dissonant Prolongation: Theoretical and Compositional Precedents (1976)The Stratification of Musical Rhythm (1976)Toward a Formal Theory of Tonal Music (1977)Neue musikalische Theorien und Phantasien (1906)Eurhythmics, art and education (1930)Interference of the Transcription Process and Other Selected Variables on Perception and Memory During Melodic Dictation (1986)The effect of directing attention on melodic dictation testing (2014)Formal or informal—which learning approach do music majors prefer? (2018)Building a mental toolbox: Relationships between strategy choice and sight-singing performance in higher education (2022)The Classical Cadence: Conceptions and Misconceptions (2004)A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony and counterpoint in the extended common practice (2012)Orality and Literacy (1982)The Open Work (1989)Computers as Theatre (1993)Nineteenth-century music (1989)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of Sonata Theory (2006)
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Cited by

  • 2003The Metaphor of Musical Space65 cited
  • 1996Narrative Structures for New Media: Towards a New Definition36 cited
  • 1988New Approaches to the Linear Analysis of Music31 cited
  • 1997Directing Student Attention during Two-Part Dictation22 cited
  • 2016Schumann's a-Minor Mood8 cited
  • 1979A Schenker Bibliography: 1969-19795 cited
  • 2015A Model for Scale-Degree Reinterpretation: Melodic Structure, Modulation, and Cadence Choice in the Chorale Harmonizations of J. S. Bach4 cited
  • 1990Leitmotiv in Russia: Glinka's Use of the Whole-Tone Scale3 cited

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