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Cited by

• 2012Hamlet's Arab journey: Shakespeare's prince and Nasser's ghost56 cited
• 2002Martyrs, Miracles, and Martians: Religion and Cold War Cinematic Propaganda in the 1950s41 cited
• 2006EMBLEMATIC OF THE THAW24 cited
• 2010Cinepaternity: fathers and sons in Soviet and post-Soviet film21 cited
• 2017Cold War Sport, Film, and Propaganda: A Comparative Analysis of the Superpowers20 cited
• 2003Cinema of Attractions versus Narrative Cinema: Leonid Gaidai’s Comedies and El'dar Riazanov’s Satires of the 1960s19 cited
• 2015Army film and the avant-garde: cinema and experiment in the Czechoslovak military16 cited
• 2014The cinema of Sergei Parajanov15 cited
• 2008From Spectator to "Differentiated" Consumer: Film Audience Research in the Era of Developed Socialism (1965–80)10 cited
• 2009Alfred Schnittke's Nagasaki: Soviet Nuclear Culture, Radio Moscow, and the Global Cold War9 cited
• 2013SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES8 cited
• 2007The adolescent and the child in the cinema of the Thaw8 cited
• 2012De-Stalinizing Soviet science: rethinking the moral implications of scientific progress in Khrushchev-era film6 cited
• 2008The New-Year film as a genre of post-war Russian cinema