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Oaxacan Wood Carvings in the World of Fine Art: Aesthetic Judgments of a Tourist Craft
11 references·4 citing·29 second hop
Oaxacan Wood Carvings in the World of Fine Art: Aesthetic Judgments of a Tourist Craft (2006)Oaxacan Wood Carvings in the World of Fin…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Crafting tradition: the making and marketing of Oaxacan wood carvings (2003)Crafting tradition: the makin…Painting Culture: The Making of an Aboriginal High Art (2002)Painting Culture: The Making …Unpacking culture : art and commodity in colonial and postcolonial worlds (1999)Unpacking culture : art and c…High Art Down Home: An Economic Ethnography of a Local Art Market. (1998)High Art Down Home: An Econom…Critique of Judgment (1994)Critique of JudgmentAfrican art in transit (1994)African art in transitTransforming Modernity: Popular Culture in Mexico (1993)Transforming Modernity: Popul…The Critical Historians of Art (1982)The Critical Historians of ArtThe Tourist: A New Theory of the Leisure Class. (1977)The Tourist: A New Theory of …Ethnic and tourist arts: cultural expressions from the fourth world. (1976)Ethnic and tourist arts: cult…Tradition of the past, traditionalism of the future: A view from a pottery cooperative (2025)Tradition of the past, tradit…La sostenibilidad de las artesanías de madera: caso de Rayón, Estado de México (2024)La sostenibilidad de las arte…‘Guru Rinpoche is Śivajī’: Ethnicity and ethnic boundary drift in Nepal’s ethnic art (2023)‘Guru Rinpoche is Śivajī’: Et…The Art of Indigeneity: Aesthetics and Competition in Mexican Economies of Culture (2014)The Art of Indigeneity: Aesth…Rhetoric and the Public Sphere (2009)New Materialism: Interviews & Cartographies (2012)What makes a destination beautiful? Dimensions of tourist aesthetic judgment (2014)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)The Illustrated Shakespeare, 1709–1875 (2008)Beyond Mimesis and Convention (2010)Hegel, the End of History, and the Future (2014)An Ethnography of Neoliberalism (2002)Determinants of Prices for Contemporary Art in Dutch Galleries, 1992–1998 (2002)The social construction of quality: status dynamics in the market for contemporary art (2009)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)The Visible Evidence of Cultural Producers (2000)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)Environmental injustice in America and its politics of scale (1999)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)Perceived impacts of tourism (1996)FORUM: Is Ecotourism Sustainable? (1997)Authenticity & aura (2011)Authenticity and commoditization in tourism (1988)World Society and the Nation‐State (1997)Measuring Experience Economy Concepts: Tourism Applications (2007)Religion, Media, and the Public Sphere (2005)Husserl, intersubjectivity and anthropology (2010)Ontological anthropology and the deferral of critique (2014)Marketing Across Cultures (2001)Global Anxieties (2004)Souvenirs: Icons of meaning, commercialization and commoditization (2011)
this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1977The Tourist: A New Theory of the Leisure Class.3,817 cited
  • 1994Critique of Judgment1,599 cited
  • 1999Unpacking culture : art and commodity in colonial and postcolonial worlds322 cited
  • 2002Painting Culture: The Making of an Aboriginal High Art279 cited
  • 1993Transforming Modernity: Popular Culture in Mexico257 cited
  • 1976Ethnic and tourist arts: cultural expressions from the fourth world.205 cited
  • 1994African art in transit168 cited
  • 1982The Critical Historians of Art161 cited
  • 1998High Art Down Home: An Economic Ethnography of a Local Art Market.91 cited
  • 2003Crafting tradition: the making and marketing of Oaxacan wood carvings63 cited

Cited by

  • 2023‘Guru Rinpoche is Śivajī’: Ethnicity and ethnic boundary drift in Nepal’s ethnic art20 cited
  • 2014The Art of Indigeneity: Aesthetics and Competition in Mexican Economies of Culture8 cited
  • 2025Tradition of the past, traditionalism of the future: A view from a pottery cooperative2 cited
  • 2024La sostenibilidad de las artesanías de madera: caso de Rayón, Estado de México

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1 cited