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Abject identities and fluid performances: Theorizing the leaking body
15 references·1 citing·29 second hop
Abject identities and fluid performances: Theorizing the leaking body (2000)Abject identities and fluid performances:…29. Justice and the Politics of Difference (2016)29. Justice and the Politics …Bodies That Matter (2011)Bodies That MatterUnmarked (2003)Unmarked4.3 ‘Bodies that Matter’ (1999)4.3 ‘Bodies that Matter’Trusting in Rubber: Performing Boundaries during the AIDS Epidemic (1995)Trusting in Rubber: Performin…Unmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Fatal women: lesbian sexuality and the mark of aggression (1994)Fatal women: lesbian sexualit…Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Bodies that Matter: on the Di…Inside/out: lesbian theories, gay theories (1992)Inside/out: lesbian theories,…Abjection, Melancholia, and Love: The Work of Julia Kristeva (1992)Abjection, Melancholia, and L…Gender Trouble: Feminism and the Subversion of Identity (1991)Gender Trouble: Feminism and …Gender trouble: feminism and the subversion of identity (1990)Gender trouble: feminism and …Epistemology of the Closet (1990)Epistemology of the ClosetPowers of Horror: An Essay on Abjection (1984)Powers of Horror: An Essay on…Purity and Danger (1966)Purity and DangerExtreme Bodies: The Body as Represented and Experienced through Critical and Popular Visual Culture (2007)Extreme Bodies: The Body as R…Homosexuality in Renaissance England (1984)The Novel and the Police (1990)Critically Queer (1993)Must Identity Movements Self-Destruct? A Queer Dilemma (1995)Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics? (1997)Compulsory Heterosexuality and Lesbian Existence (1980) (2003)Can Anyone Hear Us? (2000)The Purchase of Intimacy (2000)Post‐feminism and popular culture (2004)Globalization and Religious Nationalism: Self, Identity, and the Search for Ontological Security (2004)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Hydraulic City (2017)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)The Complexity of Intersectionality (2005)Qualitative methods for health research (2009)Sexing the body: gender politics and the construction of sexuality (2000)Intersectionality as buzzword (2008)Frames of war: when is life grievable? (2010)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)World Society and the Nation‐State (1997)Understanding Popular Culture (2006)Toward a Theory of Gender (2013)Performing tourism, staging tourism (2001)Critical performativity: The unfinished business of critical management studies (2009)Vagabond Capitalism and the Necessity of Social Reproduction (2001)Theorizing and Researching Intersectionality: A Challenge for Feminist Geography* (2007)Gender, health and theory: Conceptualizing the issue, in local and world perspective (2011)
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References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 2011Bodies That Matter10,356 cited
  • 1990Gender trouble: feminism and the subversion of identity7,707 cited
  • 1994Bodies that Matter: on the Discursive Limits of 'Sex'7,450 cited
  • 1984Powers of Horror: An Essay on Abjection7,345 cited
  • 1990Epistemology of the Closet3,698 cited
  • 1966Purity and Danger2,243 cited
  • 19994.3 ‘Bodies that Matter’2,036 cited
  • 1992Inside/out: lesbian theories, gay theories1,925 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 201629. Justice and the Politics of Difference860 cited
  • 2003Unmarked803 cited
  • 1994Fatal women: lesbian sexuality and the mark of aggression302 cited
  • 1992Abjection, Melancholia, and Love: The Work of Julia Kristeva171 cited
  • 1995Trusting in Rubber: Performing Boundaries during the AIDS Epidemic21 cited

Cited by

  • 2007Extreme Bodies: The Body as Represented and Experienced through Critical and Popular Visual Culture8 cited

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