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Andrey Volkonsky and the Beginnings of Unofficial Music in the Soviet Union
4 references·7 citing·27 second hop
Andrey Volkonsky and the Beginnings of Unofficial Music in the Soviet Union (2005)Andrey Volkonsky and the Beginnings of Un…Alger Hiss, The True Story (2017)Alger Hiss, The True StoryFrankfurter Allgemeine Zeitung (2001)Frankfurter Allgemeine ZeitungDefining Russia Musically (1997)Defining Russia Musically“Music For the Masses”: Milton Babbitt's Cold War Music Theory (1993)“Music For the Masses”: Milto…Cuban Music Counterpoints (2023)Cuban Music CounterpointsYuri Kholopov and Twelve-Toneness (2020)Yuri Kholopov and Twelve-Tone…Music behind the Iron Curtain (2019)Music behind the Iron CurtainSvetlana Kurbatskaya on Serial Music: Twelve Categories of "Twelve-Toneness" (2012)Svetlana Kurbatskaya on Seria…I Believe… in What? Arvo Pärt's and Alfred Schnittke's PolystylisticCredos (2010)I Believe… in What? Arvo Pärt…What Was “Shostakovich,” and What Came Next? (2007)What Was “Shostakovich,” and …Multiple-row serialism in three works by Edison DenisovMultiple-row serialism in thr…The Predicament of Culture (1988)Introduction: Music in the Cold War (2009)Music as a (Science as a) Liberal Art at Princeton (2010)Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (2019)MOLCHANOV'S THE DAWNS ARE QUIET HERE (1976)Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music (2024)The Structure of Atonal Music (1973)Generalized Musical Intervals and Transformations (1988)Defining Russia Musically: Historical and Hermeneutical Essays (1998)Schoenberg's Serial Odyssey: The Evolution of His Twelve-Tone Method, 1914-1928 (1991)Such Freedom, If Only Musical (2009)The Cultural Front (1992)Elements of Sonata Theory (2006)Nations and nationalism since 1780 programme, myth, reality (1995)The Field of Cultural Production: Essays on Art and Literature (1996)Methodology of the Oppressed (2010)After Prokofiev (2008)Twelve-Tone Music in America (2009)The Dynamics of Global Power Politics: A Framework for Analysis (2016)Hegemonic-order theory: A field-theoretic account (2017)Defending Hierarchy from the Moon to the Indian Ocean: Symbolic Capital and Political Dominance in Early Modern China and the Cold War (2018)National Identity in Russian Culture (2004)The Total Work of Art in European Modernism (2011)The Cambridge History of Music Criticism (2019)The Social Transformation of Trust in Government (2005)Impression Management 2.0 (2008)If You're So Smart, Why Are You under Surveillance? Universities, Neoliberalism, and New Public Management (2012)
this work references cited by second hop

References

  • 2001Frankfurter Allgemeine Zeitung2,259 cited
  • 1997Defining Russia Musically358 cited
  • 2017Alger Hiss, The True Story342 cited
  • 1993“Music For the Masses”: Milton Babbitt's Cold War Music Theory43 cited

Cited by

  • 2019Music behind the Iron Curtain8 cited
  • 2007What Was “Shostakovich,” and What Came Next?7 cited
  • 2023Cuban Music Counterpoints5 cited
  • 2012Svetlana Kurbatskaya on Serial Music: Twelve Categories of "Twelve-Toneness"5 cited
  • n.d.Multiple-row serialism in three works by Edison Denisov4 cited
  • 2020Yuri Kholopov and Twelve-Toneness3 cited
  • 2010I Believe… in What? Arvo Pärt's and Alfred Schnittke's PolystylisticCredos2 cited

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