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Vedel and Geige-Fiddle and Viol: German String Traditions in the Fifteenth Century
12 references·0 citing·28 second hop
Vedel and Geige-Fiddle and Viol: German String Traditions in the Fifteenth Century (1989)Vedel and Geige-Fiddle and Viol: German S…Journal of the Lute Society of America (2019)Journal of the Lute Society o…Music in Renaissance Ferrara 1400–1505 (2009)Music in Renaissance Ferrara …Musica instrumentalis deudsch (1995)Musica instrumentalis deudschMEDIOEVO E RINASCIMENTO (1995)MEDIOEVO E RINASCIMENTOEnglish Bowed Instruments from Anglo-Saxon to Tudor Times (1987)English Bowed Instruments fro…Music in Late Medieval Bruges (1986)Music in Late Medieval BrugesModern Musical Scholarship (1980)Modern Musical ScholarshipMusical Instruments of the West (1979)Musical Instruments of the We…Current Thought in Musicology (1978)Current Thought in MusicologyThe Early History of the Viol (1976)The Early History of the ViolNotationsfragmente aus einer Organistenwerkstatt des 15. Jahrhunderts (1967)Notationsfragmente aus einer …Rivista Musicale Italiana (1897)Rivista Musicale ItalianaA History of Spanish Painting (1938)Conrad Paumann and the evolution of solo lute practice in the fifteenth century† (1986)The migration of lute-type instruments to the Malay Muslim world (2007)A multidisciplinary materials characterization of a Joannes Marcus viol (16thcentury) (2014)Dosso Dossi's Allegory at Florence about Music (1990)Guillaume Du Fay's benefices and his relationship to the court of Burgundy (1988)Parisian nobles, a Scottish princess, and the woman's voice in late medieval song (1991)The many ways of community music (2007)Logic and language: Humanistic logic (1988)Metaphysics (1988)Personal identity (2000)Instrumental music in the urban centres of Renaissance Germany (1987)Music, ritual and patronage at the Church of Our Lady, Antwerp (1987)"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century (1999)A newly discovered keyboard source (Gonzalo de Baena's Arte nouamente inuentada pera aprender a tanger, Lisbon, 1540): a preliminary report (1996)The Mechanisms of the Music Trade in Central Germany, 1600–40 (2005)FROM VIETNAMESE LITHOPHONES TO BALINESE GAMELANS: A HISTORY OF TUNED PERCUSSION IN THE INDO-PACIFIC REGION (2007)On the Origin of the Chitarrone (1979)The Gendering of the Lute in Sixteenth-Century French Love Poetry (2000)Instrumental performance in the nineteenth century (2012)The performer and the composer (2012)Vocal performance in the nineteenth century (2012)Beethoven Scholars and Beethoven's Sketches (1978)Notes on the Origin of the Parisian Chanson (1982)Bologna Q 18: Some Reflections on Content and Context (1988)New sources of English fourteenth- and fifteenth-century polyphony (1983)Organum –discantus–contrapunctusin the Middle Ages (2002)The Cambridge History of Musical Performance (2012)
this work references cited by second hop

References

  • 1986Music in Late Medieval Bruges159 cited
  • 2009Music in Renaissance Ferrara 1400–1505136 cited
  • 1995MEDIOEVO E RINASCIMENTO81 cited
  • 1897Rivista Musicale Italiana74 cited
  • 1980Modern Musical Scholarship49 cited
  • 1987English Bowed Instruments from Anglo-Saxon to Tudor Times40 cited
  • 1976The Early History of the Viol28 cited
  • 1995Musica instrumentalis deudsch27 cited
  • 2019Journal of the Lute Society of America16 cited
  • 1979Musical Instruments of the West9 cited
  • 1978Current Thought in Musicology8 cited
  • 1967Notationsfragmente aus einer Organistenwerkstatt des 15. Jahrhunderts7 cited

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