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William Glock and the British Broadcasting Corporation's Music Policy, 1959–73
16 references·1 citing·30 second hop
William Glock and the British Broadcasting Corporation's Music Policy, 1959–73 (2006)William Glock and the British Broadcastin…Dialectic of enlightenment : philosophical fragments (2002)Dialectic of enlightenment : …The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…The English musical Renaissance, 1840-1940 : constructing a national music (2001)The English musical Renaissan…Musical MeaningToward a Critical History (2001)Musical MeaningToward a Criti…The Soviet Proletarian Music Movement (2000)The Soviet Proletarian Music …The Quest for Voice: Music, Politics, and the Limits of Philosophy (2000)The Quest for Voice: Music, P…Eric Hobsbawm, Age of Extremes : the Shart Twentieth Century 1914-1991, London, Abacus, 1995 (1999)Eric Hobsbawm, Age of Extreme…The Quest For Voice (1998)The Quest For VoiceAge of extremes :the short twentieth century 1914-1991 (1994)Age of extremes :the short tw…Adorno's Aesthetics of Music (1993)Adorno's Aesthetics of MusicFrom Parry to Britten: British Music in Letters, 1900-1945 (1990)From Parry to Britten: Britis…Music and Society: The Politics of Composition, Performance and Reception. (1988)Music and Society: The Politi…The BBC Symphony Orchestra: The first fifty years, 1930-1980 (1981)The BBC Symphony Orchestra: T…Whose Music? A Sociology of Musical Languages (1978)Whose Music? A Sociology of M…Music and Musical Life in Soviet Russia 1917-1970 (1974)Music and Musical Life in Sov…The English Musical Renaissance (1967)The English Musical Renaissan…Roberto Gerhard´s tape collection: the electronic music (2010)Roberto Gerhard´s tape collec…Rethinking the psychology of tyranny: The BBC prison study (2006)Stressing the group: Social identity and the unfolding dynamics of responses to stress. (2006)Ordering Power: Contentious Politics and Authoritarian Leviathans in Southeast Asia. (2013)Déjà Vu? Folk Music, Education, and Institutionalization in Contemporary England (2007)Cyclical thematic processes in the nineteenth-century symphony (2013)Stop the Press? The Changing Media of Music Criticism (2019)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Researching youth culture and popular music: a methodological critique (2002)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The mp3 as cultural artifact (2006)Career transitions in times of social change. His and her story (2006)Nation-states as empires, empires as nation-states: two principles, one practice? (2010)The Nature of Social Innovation (2012)Theorizing Musical Meaning (2001)Playing with History (2002)Adorno, Theodor W. (2006)The Poetics of National and Racial Identity in Nineteenth-Century American Literature (2003)Metaphor and music (2008)Rousseau in 2013 (2013)Conspicuous redemption? Reflections on the promises and perils of the ‘Celebritization’ of climate change (2008)Death of the PostHuman: Essays on Extinction, Volume One (2013)Contesting epistemic authority: Conspiracy theories on the boundaries of science (2014)Action and Agency Revisited (2013)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Enacting Musical Time (2019)The South Kensington Music Schools and the Development of the British Conservatoire in the Late Nineteenth Century (2005)Britten's unquiet pasts: sound and memory in postwar reconstruction (2013)Music as Collective Invention: A Social Network Analysis of Composers (2014)
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References

  • 1994Age of extremes :the short twentieth century 1914-19912,628 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 2002Dialectic of enlightenment : philosophical fragments1,992 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1993Adorno's Aesthetics of Music393 cited
  • 2001Musical MeaningToward a Critical History281 cited
  • 1999Eric Hobsbawm, Age of Extremes : the Shart Twentieth Century 1914-1991, London, Abacus, 1995249 cited
  • 2000The Soviet Proletarian Music Movement108 cited
  • 1998The Quest For Voice91 cited
  • 2001The English musical Renaissance, 1840-1940 : constructing a national music90 cited
  • 1967The English Musical Renaissance87 cited
  • 1974Music and Musical Life in Soviet Russia 1917-197062 cited
  • 1981The BBC Symphony Orchestra: The first fifty years, 1930-198052 cited
  • 2000The Quest for Voice: Music, Politics, and the Limits of Philosophy45 cited
  • 1990From Parry to Britten: British Music in Letters, 1900-194529 cited
  • 1978Whose Music? A Sociology of Musical Languages

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  • 2010Roberto Gerhard´s tape collection: the electronic music3 cited