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Fingerprinting of egg and oil binders in painted artworks by matrix-assisted laser desorption ionization time-of-flight mass spectrometry analysis of lipid oxidation by-products
16 references·16 citing·44 second hopsampled
Fingerprinting of egg and oil binders in painted artworks by matrix-assisted laser desorption ionization time-of-flight mass spectrometry analysis of lipid oxidation by-products (2011)Fingerprinting of egg and oil binders in …Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Proteomic strategies for the …Improved procedure for protein binder analysis in mural painting by LC-ESI/Q-q-TOF mass spectrometry: detection of different milk species by casein proteotypic peptides (2009)Improved procedure for protei…GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media (2009)GC/MS Analytical Procedure fo…Analysis of archaeological triacylglycerols by high resolution nanoESI, FT-ICR MS and IRMPD MS/MS: Application to 5th century BC–4th century AD oil lamps from Olbia (Ukraine) (2009)Analysis of archaeological tr…Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry (2007)Identification of proteinaceo…Identification of Proteins in Renaissance Paintings by Proteomics (2006)Identification of Proteins in…MALDI‐TOF mass spectrometry on cellulosic surfaces of fresh and photo‐aged di‐ and triterpenoid varnish resins (2005)MALDI‐TOF mass spectrometry o…Analysis of organic colouring and binding components in colour layer of art works (2005)Analysis of organic colouring…Study of Aging in Oil Paintings by 1D and 2D NMR Spectroscopy (2004)Study of Aging in Oil Paintin…Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings (2004)Matrix‐assisted laser desorpt…Identification of binding media in works of art by gas chromatography?mass spectrometry (2004)Identification of binding med…An initial assessment of thermally assisted hydrolysis and methylation-gas chromatography/mass spectrometry for the identification of oils from dried paint films (2002)An initial assessment of ther…Matrix‐assisted laser desorption/ionization Fourier transform mass spectrometric analysis of oxygenated triglycerides and phosphatidylcholines in egg tempera paint dosimeters used for environmental monitoring of museum display conditions (2001)Matrix‐assisted laser desorpt…Gas Chromatographic Analysis of Amino Acids as Ethyl Chloroformate Derivatives. Part 2, Effects of Pigments and Accelerated Aging on the Identification of Proteinaceous Binding Media (1996)Gas Chromatographic Analysis …Amino acid analysis of proteinaceous media from Cosimo Tura's ‘The Annunciation with Saint Francis and Saint Louis of Toulouse’ (1992)Amino acid analysis of protei…The materials of the artist and their use in painting, with notes on the techniques of the old masters (1949)The materials of the artist a…Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Review of recent advances on …Dual-polarity MALDI mass spectrometry and imaging of oil binders and fatty acids in artworks using cyanographene as a single matrix (2022)Dual-polarity MALDI mass spec…Time‐of‐flight secondary ion mass spectrometry imaging in cultural heritage: A focus on old paintings (2021)Time‐of‐flight secondary ion …Liquid chromatography and mass spectrometry for the analysis of acylglycerols in art and archeology (2020)Liquid chromatography and mas…Identification of proteinaceous binders in paintings: A targeted proteomic approach for cultural heritage (2018)Identification of proteinaceo…Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques (2018)Characterization of proteins …Characterization of organic materials in the decoration of ornamental structures in the Alhambra monumental ensemble using gas-chromatography/mass spectrometry (GC/MS) (2018)Characterization of organic m…Chemical characterization of medieval illuminated parchment scrolls (2017)Chemical characterization of …An evaluation of the impact of urban air pollution on paint dosimeters by tracking changes in the lipid MALDI-TOF mass spectra profile (2016)An evaluation of the impact o…Evaluation of mass spectrometric data using principal component analysis for determination of the effects of organic lakes on protein binder identification (2015)Evaluation of mass spectromet…Deglycosylation Step to Improve the Identification of Egg Proteins in Art Samples (2015)Deglycosylation Step to Impro…Identification of lipidic binding media in plasterwork decorations from the Alhambra using GC–MS and chemometrics: Influence of pigments and aging (2014)Identification of lipidic bin…Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry (2014)Identification of lipid- and …Egg yolk identification and aging in mixed paint binding media by NMR spectroscopy (2014)Egg yolk identification and a…Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry (2012)Proteinaceous binders identif…Multi-technique chemical characterisation of a 12–13th-century painted Crucifix (2012)Multi-technique chemical char…Analysis of oil used in late Roman oil lamps with different mass spectrometric techniques revealed the presence of predominantly olive oil together with traces of animal fat (2001)Characterization of Archaeological Beeswax by Electron Ionization and Electrospray Ionization Mass Spectrometry (2002)Characterisation of organic residues in pottery vessels of the Roman age from Antinoe (Egypt) (2004)Understanding residues of oil production: chemical analyses of floors in traditional mills (2012)Analytical Chemistry in Archaeological Research (2014)The Iceman’s Last Meal Consisted of Fat, Wild Meat, and Cereals (2018)The Organic Chemistry of Museum Objects (1988)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Border Cave and the beginning of the Later Stone Age in South Africa (2012)Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa (2012)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Methods and materials of painting of the great schools and masters (1960)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings (2011)Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Palaeoproteomic Profiling of Conservation Layers on a 14th Century Italian Wall Painting (2018)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample (2011)Organic Chemistry of Museum Objects (2012)Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China (2012)Proteomic strategies for cultural heritage: From bones to paintings (2015)Comparative study of mobile Raman instrumentation for art analysis (2007)A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings (2012)Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings (2014)Method for Noninvasive Analysis of Proteins and Small Molecules from Ancient Objects (2017)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)A Graphite-Assisted Laser Desorption/Ionization Study of Light-Induced Aging in Triterpene Dammar and Mastic Varnishes (1998)Analytical characterization of binding medium used in ancient Chinese artworks by pyrolysis–gas chromatography/mass spectrometry (2006)Gas chromatography–mass spectrometric analysis of products from on-line pyrolysis/silylation of plant gums used as binding media (2008)In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint (2013)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ageing behaviour and pyrolytic characterisation of diterpenic resins used as art materials: colophony and Venice turpentine (2002)Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques (2016)A GC-MS study on the deterioration of lipidic paint binders (2002)Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden (2004)Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments (2015)The concentration and origins of carboxylic acid groups in oil paint (2019)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals (2009)Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry (2009)The materials and techniques of medieval painting (1956)Electrochemical analysis of natural solid organic dyes and pigments (2003)
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References

  • 2009GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media147 cited
  • 2006Identification of Proteins in Renaissance Paintings by Proteomics134 cited
  • 2009Proteomic strategies for the identification of proteinaceous binders in paintings89 cited
  • 2007Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry84 cited
  • 2004Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings78 cited
  • 2009Analysis of archaeological triacylglycerols by high resolution nanoESI, FT-ICR MS and IRMPD MS/MS: Application to 5th century BC–4th century AD oil lamps from Olbia (Ukraine)73 cited
  • 2004Study of Aging in Oil Paintings by 1D and 2D NMR Spectroscopy66 cited
  • 2004Identification of binding media in works of art by gas chromatography?mass spectrometry65 cited
  • 2005MALDI‐TOF mass spectrometry on cellulosic surfaces of fresh and photo‐aged di‐ and triterpenoid varnish resins62 cited
  • 2009Improved procedure for protein binder analysis in mural painting by LC-ESI/Q-q-TOF mass spectrometry: detection of different milk species by casein proteotypic peptides60 cited
  • 2001Matrix‐assisted laser desorption/ionization Fourier transform mass spectrometric analysis of oxygenated triglycerides and phosphatidylcholines in egg tempera paint dosimeters used for environmental monitoring of museum display conditions58 cited
  • 1949

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The materials of the artist and their use in painting, with notes on the techniques of the old masters
57 cited
  • 1996Gas Chromatographic Analysis of Amino Acids as Ethyl Chloroformate Derivatives. Part 2, Effects of Pigments and Accelerated Aging on the Identification of Proteinaceous Binding Media55 cited
  • 2002An initial assessment of thermally assisted hydrolysis and methylation-gas chromatography/mass spectrometry for the identification of oils from dried paint films54 cited
  • 2005Analysis of organic colouring and binding components in colour layer of art works52 cited
  • 1992Amino acid analysis of proteinaceous media from Cosimo Tura's ‘The Annunciation with Saint Francis and Saint Louis of Toulouse’50 cited
  • Cited by

    • 2018Identification of proteinaceous binders in paintings: A targeted proteomic approach for cultural heritage38 cited
    • 2022Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks31 cited
    • 2015Evaluation of mass spectrometric data using principal component analysis for determination of the effects of organic lakes on protein binder identification27 cited
    • 2015Deglycosylation Step to Improve the Identification of Egg Proteins in Art Samples27 cited
    • 2014Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry27 cited
    • 2012Multi-technique chemical characterisation of a 12–13th-century painted Crucifix25 cited
    • 2021Time‐of‐flight secondary ion mass spectrometry imaging in cultural heritage: A focus on old paintings24 cited
    • 2018Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques22 cited
    • 2017Chemical characterization of medieval illuminated parchment scrolls21 cited
    • 2014Egg yolk identification and aging in mixed paint binding media by NMR spectroscopy19 cited
    • 2020Liquid chromatography and mass spectrometry for the analysis of acylglycerols in art and archeology19 cited
    • 2014Identification of lipidic binding media in plasterwork decorations from the Alhambra using GC–MS and chemometrics: Influence of pigments and aging15 cited
    • 2022Dual-polarity MALDI mass spectrometry and imaging of oil binders and fatty acids in artworks using cyanographene as a single matrix14 cited
    • 2012Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry14 cited
    • 2018Characterization of organic materials in the decoration of ornamental structures in the Alhambra monumental ensemble using gas-chromatography/mass spectrometry (GC/MS)12 cited
    • 2016An evaluation of the impact of urban air pollution on paint dosimeters by tracking changes in the lipid MALDI-TOF mass spectra profile12 cited