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Television production techniques as communication

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References

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1981Questions of Cinema599 cited
1973Sight, Sound, Motion: Applied Media Aesthetics495 cited
1983Inside Prime Time478 cited
2004Reading Television295 cited
1981Theory of Film Practice254 cited
1983The encoding / decoding model: criticisms and redevelopments for research on decoding109 cited
1977The effect of camera angle on source credibility and attraction65 cited
1970Some relationships of camera angle to communicator credibility64 cited
1978The Rare Case of Television Aesthetics.24 cited

Cited by

1993Setting the Stage: Collective Selection in the Stylistic Context of Commercials44 cited
1988Argument and visual structuring in the 1984 Mondale‐Reagan debates: The medium's influence on the perception of clash22 cited
1988“It's been real”: Forms of television representation18 cited
1989Where Is the "Audience?": Discerning the (Impossible) Subject18 cited
1991Analyzing meaning in form: Soap opera's compositional construction of “realness”

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14 cited

2006Empathic Resonance and Meryl Streep9 cited

1997The President's Visual Image from 1945 to 1974: An Analysis of Spatial Configuration in News Magazine Photographs9 cited

2012New Directions in Critical Television Studies: Exploring Text, Audience, and Production in Communication Scholarship7 cited

1987A comparative analysis of directing styles inhill street blues5 cited

2015Primetime Goes Hammerstein: The Musicalization of Primetime Fictional Television in the Post-Network Era4 cited