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Political orientation and music preference in the 1980s
14 references·3 citing·35 second hop
Political orientation and music preference in the 1980s (1987)Political orientation and music preferenc…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Popular Music: Resistance to New Wave (1982)Popular Music: Resistance to …Popular Music: Concentration and Diversity in the Industry, 1974–1980 (1982)Popular Music: Concentration …Subculture: The Meaning of Style. (1981)Subculture: The Meaning of St…Hit Record Trends, 1940–1977 (1980)Hit Record Trends, 1940–1977Popular Culture and High Culture: An Analysis and Evaluation of Taste. (1977)Popular Culture and High Cult…Protest Rock and Drugs (1976)Protest Rock and DrugsPolitical Orientation and Music Preferences Among College Students (1974)Political Orientation and Mus…The Popular Protest Song: The Case of "Eve of Destruction" (1971)The Popular Protest Song: The…Sociological Approaches to the Pop Music Phenomenon (1971)Sociological Approaches to th…Generations and Counter-Culture: A Study in the Ideology of Music (1970)Generations and Counter-Cultu…The Ideology of Autonomy in Popular Lyrics: A Content Analysis (1969)The Ideology of Autonomy in P…The Dialogue of Courtship in Popular Songs (1957)The Dialogue of Courtship in …Listening to Popular Music (1950)Listening to Popular MusicHarmony and Discord: The Music of Intergroup Relations (2009)Harmony and Discord: The Musi…"The Future is Unwritten": The Clash, Punk and America, 1977-1982 (1993)"The Future is Unwritten": Th…Adolescent music marginals: Who likes metal, Jazz, Country, and Classical (1990)Adolescent music marginals: W…The Unanticipated Consequences of Purposive Social Action (1936)The Adolescent Society (1962)CHILDREN'S USE OF AUDIO MEDIA (1985)Changing channels: Early adolescent media choices and shifting investments in family and friends (1989)Schematic Information Processing of Heavy Metal Lyrics (1991)The Sound of the City: The Rise of Rock and Roll (1971)Cycles in Symbol Production: The Case of Popular Music (1975)Style as Social Process (1978)Women in popular music: A quantitative analysis of feminine images over time (1985)Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940–1990 (2005)Does digitization lead to the homogenization of cultural content? (2021)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Content Analysis in Consumer Research (1977)Preoccupations and Behaviors Associated with Romantic and Parental Love: Perspectives on the Origin of Obsessive-Compulsive Disorder (1999)Mass Communication and Para-Social Interaction: Observations on Intimacy at a Distance (2015)Affective Interaction as a Determinant of Musical Involvement (1976)The Emotional and Intellectual Aspects of Protest Music (2000)A Review and Meta-Analysis Examining the Relationship of Music Content with Sex, Race, Priming, and Attitudes (2008)Musical Taste Cultures and Taste Publics (1975)Beliefs about Childhood Vaccination in the United States: Political Ideology, False Consensus, and the Illusion of Uniqueness (2016)Sports Fandom and Political Attitudes (2018)Deconstructing the Diversity Principle (1999)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)E-commerce Business Models for the Music Industry (2004)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Culture in Interaction (2003)Reinforcing Spirals: The Mutual Influence of Media Selectivity and Media Effects and Their Impact on Individual Behavior and Social Identity (2007)Effects of Associating with Musical Genres on Heterosexual Attraction (1989)Action, Criticism and Theory for Music Education (2004)To Tell the Truth and Not Get Trapped: Desire, Distance, and Intersectionality at the Scene of Argument (2013)The rise and fall of highbrow snobbery as a status marker (1997)Social Stratification and Cultural Consumption: Music in England (2006)Adolescents' music preferences and personality characteristics (2007)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1981Subculture: The Meaning of Style.3,479 cited
  • 1977Popular Culture and High Culture: An Analysis and Evaluation of Taste.485 cited
  • 1950Listening to Popular Music132 cited
  • 1957The Dialogue of Courtship in Popular Songs116 cited
  • 1982Popular Music: Concentration and Diversity in the Industry, 1974–198084 cited
  • 1971Sociological Approaches to the Pop Music Phenomenon78 cited
  • 1974Political Orientation and Music Preferences Among College Students56 cited
  • 1971The Popular Protest Song: The Case of "Eve of Destruction"40 cited
  • 1980Hit Record Trends, 1940–197735 cited
  • 1969The Ideology of Autonomy in Popular Lyrics: A Content Analysis32 cited
  • 1976Protest Rock and Drugs28 cited
  • 1970Generations and Counter-Culture: A Study in the Ideology of Music25 cited
  • 1982Popular Music: Resistance to New Wave18 cited

Cited by

  • 2009Harmony and Discord: The Music of Intergroup Relations10 cited
  • 1990Adolescent music marginals: Who likes metal, Jazz, Country, and Classical

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8 cited
  • 1993"The Future is Unwritten": The Clash, Punk and America, 1977-19827 cited