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UV ageing studies: evaluation of lightfastness declarations of commercial acrylic paints
9 references·16 citing·30 second hop
UV ageing studies: evaluation of lightfastness declarations of commercial acrylic paints (2011)UV ageing studies: evaluation of lightfas…ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments (2009)ATR-FT-IR spectroscopy in the…Modern paints uncovered (2007)Modern paints uncoveredAnalysis of modern paints (2004)Analysis of modern paintsCharacterization of Artists' Acrylic Emulsion Paints (2003)Characterization of Artists' …Color science in the examination of museum objects: Nondestructive procedures (2002)Color science in the examinat…Analytical mass spectrometry of artists’ acrylic emulsion paints by direct temperature resolved mass spectrometry and laser desorption ionisation mass spectrometry (2002)Analytical mass spectrometry …Photo-oxidative stability of paraloid acrylic protective polymers (2001)Photo-oxidative stability of …A review of synthetic binding media in twentieth‐century paints (2000)A review of synthetic binding…Photodegradation of acrylic resins used in the conservation of stone (1999)Photodegradation of acrylic r…Chemical characterisation of artists’ spray-paints: A diagnostic tool for urban art conservation (2023)Chemical characterisation of …Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Review of recent advances on …Assessing the (In)Stability of Urban Art Paints: From Real Case Studies to Laboratory Investigations of Degradation Processes and Preservation Possibilities (2022)Assessing the (In)Stability o…Overcoming Challenges in Street Art Murals Conservation: A Comparative Study on Cleaning Approach and Methodology (2020)Overcoming Challenges in Stre…Accelerated Ageing Procedures to Assess the Stability of an Unconventional Acrylic-Wax Polymeric Emulsion for Contemporary Art (2020)Accelerated Ageing Procedures…Street art graffiti: Discovering their composition and alteration by FTIR and micro-Raman spectroscopy (2019)Street art graffiti: Discover…Analytical characterization of artist’s paint systems based on emulsion polymers and synthetic organic pigments (2018)Analytical characterization o…A novel methodological approach for the assessment of surface cleaning of acrylic emulsion paints (2018)A novel methodological approa…Pyrolysis gas chromatography–mass spectrometry of triarylmethane dyes (2017)Pyrolysis gas chromatography–…Chemical composition of felt-tip pen inks (2017)Chemical composition of felt-…Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques (2016)Revealing the composition of …Characterization of additives of PVAc and acrylic waterborne dispersions and paints by analytical pyrolysis–GC–MS and pyrolysis–silylation–GC–MS (2015)Characterization of additives…Winsor & Newton original handbooks: a surface-enhanced Raman scattering (SERS) and Raman spectral database of dyes from modern watercolor pigments (2013)Winsor & Newton original hand…A comparison study of alkyd resin used in art works by Py-GC/MS and GC/MS: The influence of aging (2013)A comparison study of alkyd r…Thermal analysis of the interaction of inorganic pigments with p(nBA/MMA) acrylic emulsion before and after UV ageing (2012)Thermal analysis of the inter…Identification of the materials used in an Eastern Jin Chinese ink stick (2012)Identification of the materia…On Picture Varnishes and Their Solvents (1973)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Separation techniques for the analysis of artists' acrylic emulsion paints (2004)Characterization and identification of acrylic binding media: influence of UV light on the ageing process (2010)The characterization of commercial artists’ alkyd paints (2008)Photochemical degradation study of polyvinyl acetate paints used in artworks by Py–GC/MS (2012)Influence of phthalocyanine pigments on the photo-degradation of alkyd artists' paints under different conditions of artificial solar radiation (2016)A pyrolysis approach for characterizing and assessing degradation of polyurethane foam in cultural heritage objects (2018)Synthetic materials in art: a new comprehensive approach for the characterization of multi-material artworks by analytical pyrolysis (2019)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Infrared Spectroscopy in Conservation Science (2000)Pigment Compendium: A Dictionary of Historical Pigments (2007)Application of ATR-far-infrared spectroscopy to the analysis of natural resins (2010)Raman spectroscopy as a tool to diagnose the impact and conservation state of Pompeian second and fourth style wall paintings exposed to diverse environments (House of Marcus Lucretius) (2010)Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)The Analysis of Synthetic Paints by Pyrolysis-Gas Chromatography-Mass Spectrometry (PyGCMS) (2001)Py-GC/MS applied to the analysis of synthetic organic pigments: characterization and identification in paint samples (2014)Accelerated Aging, Photochemical and Thermal Aspects (1996)Accelerated UV ageing studies of acrylic, alkyd, and polyvinyl acetate paints: Influence of inorganic pigments (2015)Investigating the Photocatalytic Degradation of Oil Paint using ATR-IR and AFM-IR (2017)Correlating natural ageing and Xenon irradiation of Paraloid® B72 applied on stone (2003)New Methodologies for the Conservation of Cultural Heritage: Micellar Solutions, Microemulsions, and Hydroxide Nanoparticles (2010)Characterization of acrylic resins used for restoration of artworks by pyrolysis-silylation-gas chromatography/mass spectrometry with hexamethyldisilazane (2006)Pigments and Mixtures Identification by Visible Reflectance Spectroscopy (2013)Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique (2015)A methodological approach to estimate soil corrosivity for archaeological copper alloy artefacts (2018)The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography–mass spectrometry (2011)Contribution to the identification of α‐, β‐ and ε‐copper phthalocyanine blue pigments in modern artists' paints by X‐ray powder diffraction, attenuated total reflectance micro‐fourier transform infrared spectroscopy and micro‐Raman spectroscopy (2012)Modern Oil Paints – Formulations, Organic Additives and Degradation: Some Case Studies (2014)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)
this work references cited by second hop

References

  • 2001Photo-oxidative stability of paraloid acrylic protective polymers283 cited
  • 1999Photodegradation of acrylic resins used in the conservation of stone183 cited
  • 2004Analysis of modern paints182 cited
  • 2009ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments141 cited
  • 2002Color science in the examination of museum objects: Nondestructive procedures88 cited
  • 2007Modern paints uncovered84 cited
  • 2000A review of synthetic binding media in twentieth‐century paints74 cited
  • 2003Characterization of Artists' Acrylic Emulsion Paints71 cited
  • 2002Analytical mass spectrometry of artists’ acrylic emulsion paints by direct temperature resolved mass spectrometry and laser desorption ionisation mass spectrometry66 cited

Cited by

  • 2013A comparison study of alkyd resin used in art works by Py-GC/MS and GC/MS: The influence of aging62 cited
  • 2013Winsor & Newton original handbooks: a surface-enhanced Raman scattering (SERS) and Raman spectral database of dyes from modern watercolor pigments49 cited
  • 2019Street art graffiti: Discovering their composition and alteration by FTIR and micro-Raman spectroscopy48 cited
  • 2012Identification of the materials used in an Eastern Jin Chinese ink stick43 cited
  • 2016Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques

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42 cited
  • 2017Chemical composition of felt-tip pen inks39 cited
  • 2018Analytical characterization of artist’s paint systems based on emulsion polymers and synthetic organic pigments39 cited
  • 2022Assessing the (In)Stability of Urban Art Paints: From Real Case Studies to Laboratory Investigations of Degradation Processes and Preservation Possibilities32 cited
  • 2020Accelerated Ageing Procedures to Assess the Stability of an Unconventional Acrylic-Wax Polymeric Emulsion for Contemporary Art31 cited
  • 2022Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks31 cited
  • 2020Overcoming Challenges in Street Art Murals Conservation: A Comparative Study on Cleaning Approach and Methodology29 cited
  • 2023Chemical characterisation of artists’ spray-paints: A diagnostic tool for urban art conservation29 cited
  • 2015Characterization of additives of PVAc and acrylic waterborne dispersions and paints by analytical pyrolysis–GC–MS and pyrolysis–silylation–GC–MS27 cited
  • 2017Pyrolysis gas chromatography–mass spectrometry of triarylmethane dyes22 cited
  • 2018A novel methodological approach for the assessment of surface cleaning of acrylic emulsion paints22 cited
  • 2012Thermal analysis of the interaction of inorganic pigments with p(nBA/MMA) acrylic emulsion before and after UV ageing21 cited