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Visions of Dynamic Power: Archaic Rock-paintings, Altered States of Consciousness and ‘Clever Men’ in Western Arnhem Lane (NT), Australia
16 references·15 citing·36 second hop
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this work references cited by second hop

References

  • 1996The foraging spectrum: diversity in hunter-gatherer lifeways1,599 cited
  • 1951Shamanism: Archaic Techniques of Ecstasy884 cited
  • 1991Ecstatic Religion: A Study of Shamanism and Spirit Possession513 cited
  • 1988The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]474 cited
  • 2011The Languages of Australia430 cited
  • 1995Ancestral Connections: Art and an Aboriginal System of Knowledge.372 cited
  • 1991The power of stone: symbolic aspects of stone use and tool development in western Arnhem Land, Australia250 cited
  • 1976'Art Mobilier' from the Apollo 11 Cave, South West Africa: Africa's Oldest Dated Works of Art206 cited
  • 1969The Medicine Dance of the ! Kung Bushmen178 cited
  • 1965The World of the First Australians: Aboriginal Traditional Life : Past and Present164 cited
  • 2009Aboriginal Men of High Degree.158 cited
  • 1989From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu152 cited
  • 1993Journey in time : the world's longest continuing art tradition : the 50,000 year story of the Australian aboriginal rock art of Arnhem land109 cited
  • 1999The Shore Connection. Cognitive Landscape and Communication with Rock Carvings in Northernmost Europe107 cited

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1984
The Rock Art of Southern Africa
102 cited
  • 1994Australia's Ancient Warriors: Changing Depictions of Fighting in the Rock Art of Arnhem Land, N.T.101 cited
  • Cited by

    • 2004Shamanism as the Original Neurotheology90 cited
    • 2012Human cognition: the Australian evidence25 cited
    • 2006Archaeology and Art9 cited
    • 2018Shamanic Trance Journey with Animal Spirits: Ancient “Scientific” Strategy Dealing with Inverted Otherworld8 cited
    • 2006Is there a shamanism and rock art debate?7 cited
    • 2007Dynamic sketches: 6000+ year old dry‐pigment drawings from Arnhem land5 cited
    • 2017Dynamic Figures of Mirarr Country: Chaloupka’s four-phase theory and the question of variability within a rock art style5 cited
    • 2018Lightning teeth andPonari sweat: Folk theories and magical uses of prehistoric stone axes (and adzes) in Island Southeast Asia and the origin of thunderstone beliefs5 cited
    • 2013Symbolism and Becoming a Hunter-Gatherer4 cited
    • 2007Dreaming phenomena and palaeoart3 cited
    • 2026The Devil Is in the Detail: Tasmanian Devil and Tasmanian Tiger Paintings From Awunbarna and Injalak Hill, Northern Territory, Australia2 cited
    • 2023A changing perspective: the impact of landscape evolution on rock art viewsheds2 cited
    • 2026Images and Places in the Upper Palaeolithic of the Douro Basin, Iberian Peninsula: An Ontological Approach1 cited
    • 2006Shamanism and rock art interpretation0 cited
    • 2009Rock art as a source of the history of prehistory (An account to promote the understanding of prehistoric rock art)0 cited