SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A Pop Music Progression in Recent Popular Movies and Movie Trailers
9 references·8 citing·34 second hop
A Pop Music Progression in Recent Popular Movies and Movie Trailers (2014)A Pop Music Progression in Recent Popular…Audacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Audacious EuphonyChromatic Ha…Audacious Euphony: Chromaticism and the Triad's Second Nature (2012)Audacious Euphony: Chromatici…A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes" (2008)The Foundations of Rock: From…Music in the Galant Style (2007)Music in the Galant StyleThe Major Tritone Progression in Recent Hollywood Science Fiction Films (2006)The Major Tritone Progression…Genre and Hollywood (2005)Genre and HollywoodUncanny Resemblances: Tonal Signification in the Freudian Age (2004)Uncanny Resemblances: Tonal S…Hollywood Genres: Formulas, Filmmaking, and the Studio System (1982)Hollywood Genres: Formulas, F…Hollywood Harmony: Musical Wonder and the Sound of Cinema (2022)Hollywood Harmony: Musical Wo…Analysis of the Role of Music in Film Narrative (2019)Analysis of the Role of Music…Music’s Stubborn Enchantments (and Music Theory’s) (2018)Music’s Stubborn Enchantments…Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice‐Leading Systems in Radiohead (2017)Rock Harmony Reconsidered: To…A.R. Rahman and the aesthetic transformation of Indian film scores (2017)A.R. Rahman and the aesthetic…The Composer and the Studio (2016)The Composer and the StudioMaterializing Film Music (2016)Materializing Film MusicFilm-Music Theory (2016)Film-Music TheoryUnsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)The Cambridge History of Western Music Theory (2002)Schoenberg's Musical Imagination (2007)Form, Program, and Metaphor in the Music of Berlioz (2009)The End(s) of Genre (2013)Structural Hearing; Tonal Coherence in Music (1953)A corpus analysis of rock harmony (2011)Song means: analysing and interpreting recorded popular song (2012)Diatonic and Chromatic Tonicization in Rock Music (2019)The Logic of Six-Based Minor for Harmonic Analyses of Popular Music (2021)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Hollywood Cadences (2013)The Cambridge Companion to Film Music (2016)Chromatic Mediants and Narrative Context in Film (2018)Genre and game studies: Toward a critical approach to video game genres (2006)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)Tonality and transformation (2012)A Platonic Model of Funky Rhythms (2016)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)Action and Agency Revisited (2013)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Musical Syntax I: Theoretical Perspectives (2018)Subverting the Verse–Chorus Paradigm (2013)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Form as Process: The Buildup Introduction in Popular Music (2015)Schubert’s Harmonic Language and Fourier Phase Space (2015)A Tendency-Transformational Model of Enharmonic Modulations and Related Phenomena (2018)The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content (2020)
this work references cited by second hop

References

  • 1982Hollywood Genres: Formulas, Filmmaking, and the Studio System510 cited
  • 2007Music in the Galant Style432 cited
  • 2005Genre and Hollywood305 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 2004Uncanny Resemblances: Tonal Signification in the Freudian Age155 cited
  • 2008The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes"81 cited
  • 2006The Major Tritone Progression in Recent Hollywood Science Fiction Films66 cited
  • 2012Audacious Euphony: Chromaticism and the Triad's Second Nature54 cited

Cited by

  • 2017Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice‐Leading Systems in Radiohead30 cited
  • 2016Materializing Film Music26 cited
  • 2022Hollywood Harmony: Musical Wonder and the Sound of Cinema13 cited
  • 2018Music’s Stubborn Enchantments (and Music Theory’s)7 cited
  • 2017A.R. Rahman and the aesthetic transformation of Indian film scores5 cited
  • 2016The Composer and the Studio3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2016
Film-Music Theory
3 cited
  • 2019Analysis of the Role of Music in Film Narrative2 cited