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The Vocal Scoring, Choral Balance and Performing Pitch of Latin Church Polyphony in England, c.1500-58
1 references·13 citing·15 second hop
The Vocal Scoring, Choral Balance and Performing Pitch of Latin Church Polyphony in England, c.1500-58 (1987)The Vocal Scoring, Choral Balance and Per…Workshop II. The Performing Ensembles in Josquin's Sacred Music (1985)Workshop II. The Performing E…Vocal performance in the twentieth century and beyond (2012)Vocal performance in the twen…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerPerformance in the Renaissance: an overview (2012)Performance in the Renaissanc…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Musical performance in the twentieth century and beyond: an overview (2012)Musical performance in the tw…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Instrumental performance in the ‘long eighteenth century’ (2012)Instrumental performance in t…Officers and Office-Holding at the English Court: A Study of the Chapel Royal, 1485–1547 (1999)Officers and Office-Holding a…The Musicians of the Lady Chapel of Winchester Cathedral Priory, 1402–1539 (1994)The Musicians of the Lady Cha…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)The King’S Servants (1961)Music and the Reformation in England, 1549-1660 (1968)Music in the royal and noble households in late medieval England : studies of sources and patronage (1989)Liturgical Polyphony in the Pre-Reformation English Parish Church: A Provisional List and Commentary (2005)A History of English Poetry (1897)The Monastic Order in England (1963)English Schools in the Middle Ages (1975)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked (1993)The Archives of the Order of the Golden Fleece and Music (1995)
this work references cited by second hop

References

  • 1985Workshop II. The Performing Ensembles in Josquin's Sacred Music41 cited

Cited by

  • 1994The Musicians of the Lady Chapel of Winchester Cathedral Priory, 1402–153915 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 1999Officers and Office-Holding at the English Court: A Study of the Chapel Royal, 1485–15473 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited
  • 2012Performance in the Renaissance: an overview2 cited
  • 2012Vocal performance in the twentieth century and beyond2 cited
  • 2012Instrumental performance in the ‘long eighteenth century’2 cited
  • 2012Musical performance in the twentieth century and beyond: an overview2 cited

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