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M etric D isplacement D issonance and R omantic L onging in the G erman L ied
8 references·6 citing·32 second hop
M etric D isplacement D issonance and R omantic L onging in the G erman L ied (2006)M etric D isplacement D issonance and R o…Complex Hemiolas, Ski‐Hill Graphs and Metric Spaces (2001)Complex Hemiolas, Ski‐Hill Gr…The specular moment: Goethe's early lyric and the beginnings of romanticism (1997)The specular moment: Goethe's…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Interacting Pulse Streams in Schoenberg's Atonal Polyphony (1994)Interacting Pulse Streams in …The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)The Dramatization of Hypermet…Syncopation as Motive in Schoenberg's Op. 19, Nos 2, 3 and 4 (1992)Syncopation as Motive in Scho…Some Extensions of the Concepts of Metrical Consonance and Dissonance (1987)Some Extensions of the Concep…On Harmony and Meter in Brahms's Op. 76, No. 8 (1981)On Harmony and Meter in Brahm…Brahms's Elegies (2019)Brahms's ElegiesSong and the Music of Poetry (2017)Song and the Music of PoetryThe Fourth Dimension of a Song (2015)The Fourth Dimension of a SongSentences with Words: Text and Theme-Type in Die schone Mullerin (2014)Sentences with Words: Text an…Thinking (and Singing) in Threes (2011)Thinking (and Singing) in Thr…Metric Analysis and the Metaphor of Energy: A Way into Selected Songs by Wolf and Schoenberg (2008)Metric Analysis and the Metap…Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Musical Actions of Dihedral Groups (2009)The Viennese symphony 1750 to 1827 (2013)The Body in the Mind (1987)Blending and metaphor (1999)Metaphors We Live By (2003)Metric Manipulations in Post-Tonal Music (2020)Atonal prolongational structure (1989)Music of the twentieth century: style and structure (1997)Schoenberg's Atonal Music (2019)Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function (2019)Gould’s Creaking Chair, Schoenberg’s Metric Clarity (2021)Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form (1991)Beyond the Beethoven Model: Sentence Types and Limits (2004)Schubert’s Idyllic Periods (2017)Schoenberg’s Sentence (2018)Banjo Transformations and Bluegrass Rhythm (2009)Metric Cubes in Some Music of Brahms (2009)Metrical Displacement and Metrically Dissonant Hemiolas (2013)The Rhythms of Reiteration: Formal Development in Stravinsky's Ostinati (1992)An Empirical Study of Syncopation in American Popular Music, 1890?1939 (2006)Some Non-Isomorphisms between Pitch and Time (2002)Self-Forming Selves: Autonomy and Artistic Creativity in Goethe and Moritz (2002)Goethes Prometheus : Kritik der poetischen Einbildungskraft (2009)Kant on the Role of the Imagination (and Images) in the Transition from Intuition to Experience (2019)Re-casting Metal: Rhythm and Meter in the Music of Meshuggah (2007)Enacting Musical Time (2019)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)Action and Agency Revisited (2013)
this work references cited by second hop

References

  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 2001Complex Hemiolas, Ski‐Hill Graphs and Metric Spaces112 cited
  • 1997The specular moment: Goethe's early lyric and the beginnings of romanticism103 cited
  • 1994Interacting Pulse Streams in Schoenberg's Atonal Polyphony89 cited
  • 1987Some Extensions of the Concepts of Metrical Consonance and Dissonance83 cited
  • 1992The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony75 cited
  • 1981On Harmony and Meter in Brahms's Op. 76, No. 844 cited
  • 1992Syncopation as Motive in Schoenberg's Op. 19, Nos 2, 3 and 437 cited

Cited by

  • 2008Metric Analysis and the Metaphor of Energy: A Way into Selected Songs by Wolf and Schoenberg20 cited
  • 2014Sentences with Words: Text and Theme-Type in Die schone Mullerin13 cited
  • 2015The Fourth Dimension of a Song7 cited
  • 2011Thinking (and Singing) in Threes6 cited
  • 2019Brahms's Elegies6 cited
  • 2017Song and the Music of Poetry4 cited

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