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Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems
12 references·0 citing·34 second hop
Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems (2012)Micro-fading spectrometry: A tool for rea…The Use of Micro-Fading Spectrometry to Evaluate the Light Fastness of Materials in Oxygen-Free Environments (2011)The Use of Micro-Fading Spect…An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)An Investigation of the Recip…A survey on the light-fastness properties of organic-based Alaska Native artifacts (2010)A survey on the light-fastnes…Historic Textiles, Papers, and Polymers in Museums (2002)Historic Textiles, Papers, an…Historic Textiles, Papers, and Polymers in Museums (2000)Historic Textiles, Papers, an…Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Predicting The Fading of Obje…Darkening of Paper Following Exposure to Visible and Near-Ultraviolet Radiation (1989)Darkening of Paper Following …THE DISCOLOURATION OF PAPER ON AGEING (1988)THE DISCOLOURATION OF PAPER O…The Fading Rates of Some Natural Dyes (1987)The Fading Rates of Some Natu…The Kinetics of Fading: Opaque Paint Films Pigmented with Alizarin Lake and Titanium Dioxide (1984)The Kinetics of Fading: Opaqu…Monitoring the Fading and Staining of Color Photographic Prints (1981)Monitoring the Fading and Sta…The Light-Fastness of the Natural Dyes (1966)The Light-Fastness of the Nat…Electrochemical analysis of natural solid organic dyes and pigments (2003)Photodegradation of iron gall ink affected by oxygen, humidity and visible radiation (2021)A history of printing ink : balls and rollers, 1440-1850 (1967)Preservation of Paper and Textiles of Historic and Artistic Value (1978)A Comprehensive Examination of the Various Stains and Images on the Shroud of Turin (1984)On proto-photography and the Shroud of Turin (1997)Polarised ATR-FTIR Characterisation of Cellulosic Fibres in Relation to Historic Artefacts (2004)Micro-XRF and FT-IR/ATR analyses of an optically degraded ancient document of the Trieste (Italy) cadastral system (1893): A novel and surprising iron gall ink protective action (2015)THE WASHING AND AQUEOUS DEACIDIFICATION OF PAPER (1979)Bleaching in Paper Conservation: Survey Evaluation (2020)Listening to laser light interactions with objects of art: a novel photoacoustic approach for diagnosis and monitoring of laser cleaning interventions (2020)National Gallery Technical Bulletin (1979)A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures (2017)Chemical Principles of Textile Conservation (2000)Photochemical colour change for traditional watercolour pigments in low oxygen levels (2014)Spectral damage model for lighted museum paintings: Oil, acrylic and gouache (2016)Wavelength Dependence of Light Induced Changes in Reflectance Spectra of Selected Dyes and Pigments (2017)The museum environment (1978)Airborne pollutants in museums, galleries and archives : risk assessment, control strategies, and preservation management (2002)Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials (2012)Documenting the light sensitivity of Spanish Levantine rock art paintings (2015)A multi-technique approach for detecting and evaluating material inconsistencies in historical banknotes (2016)Photoegradation of indigo in dichloromethane solution (2003)Study of the stability of a series of synthetic colorants applied with styrene-acrylic copolymer, widely used in contemporary paintings, concerning the effects of accelerated ageing (2010)The Ozone Fading of Traditional Natural Organic Colorants on Paper (1987)The Ozone Fading of Traditional Chinese Plant Dyes (2000)The issue of eosin fading: A combined spectroscopic and mass spectrometric approach applied to historical lakes (2020)Analysis and aging of unsaturated polyester resins in contemporary art installations by NMR spectroscopy (2010)Characterization of contemporary and historical acrylonitrile butadiene styrene (ABS)-based objects: Pilot study for handheld Raman analysis in collections (2020)Analysis of thermally and UV–Vis aged plasticized PVC using UV–Vis, ATR-FTIR and Raman spectroscopy (2023)A spectrometric and chromatographic approach to the study of ageing of madder (Rubia tinctorum L.) dyestuff on wool (2007)Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) (2018)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)
this work references cited by second hop

References

  • 1966The Light-Fastness of the Natural Dyes135 cited
  • 1999Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements96 cited
  • 1987The Fading Rates of Some Natural Dyes80 cited
  • 2011An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry44 cited
  • 1984The Kinetics of Fading: Opaque Paint Films Pigmented with Alizarin Lake and Titanium Dioxide37 cited
  • 1989Darkening of Paper Following Exposure to Visible and Near-Ultraviolet Radiation32 cited
  • 2010A survey on the light-fastness properties of organic-based Alaska Native artifacts26 cited
  • 1988THE DISCOLOURATION OF PAPER ON AGEING26 cited
  • 2011The Use of Micro-Fading Spectrometry to Evaluate the Light Fastness of Materials in Oxygen-Free Environments22 cited
  • 2000Historic Textiles, Papers, and Polymers in Museums21 cited
  • 2002Historic Textiles, Papers, and Polymers in Museums17 cited
  • 1981Monitoring the Fading and Staining of Color Photographic Prints12 cited

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