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An Amorous History of the Silver Screen: The Actress As Vernacular Embodiment in Early Chinese Film Culture
16 references·0 citing·29 second hop
An Amorous History of the Silver Screen: The Actress As Vernacular Embodiment in Early Chinese Film Culture (2001)An Amorous History of the Silver Screen: …Theses on the Philosophy of History (2020)Theses on the Philosophy of H…Movie-struck girls: women and motion picture culture after the nickelodeon (2000)Movie-struck girls: women and…Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Fallen Women, Rising Stars, N…Viewing positions: ways of seeing film (1995)Viewing positions: ways of se…Window shopping: cinema and the postmodern (1993)Window shopping: cinema and t…Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari (1992)Streetwalking on a Ruined Map…Early Cinema: Space-Frame-Narrative (1992)Early Cinema: Space-Frame-Nar…Woman and Chinese modernity: the politics of reading between West and East (1991)Woman and Chinese modernity: …The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…Life to those shadows (1990)Life to those shadowsAfter the Great Divide: Modernism, Mass Culture, Postmodernism (1987)After the Great Divide: Moder…The Chinese Enlightenment : Intellectuals and the Legacy of the May Fourth Movement of 1919 (1986)The Chinese Enlightenment : I…Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard (1985)Reflexivity in Film and Liter…Interfaces of the Word: Studies in the Evolution of Consciousness and Culture (1978)Interfaces of the Word: Studi…Nonsynchronism and the Obligation to Its Dialectics (1977)Nonsynchronism and the Obliga…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…The Cultural Anthropology of Time: A Critical Essay (1992)Teaching Old Brands New Tricks: Retro Branding and the Revival of Brand Meaning (2003)Methodology of the Oppressed (2010)On the Relevance of Standpoint Epistemology to the Practice of Journalism: The Case for "Strong Objectivity" (1998)The Passions in Play: Thyestes and the Dynamics of Senecan Drama (2003)Selfies| The Gestural Image: The Selfie, Photography Theory, and Kinesthetic Sociability (2015)I'd like to buy the world a coke: Consumptionscapes of the “less affluent world” (1996)The Fire of Desire: A Multisited Inquiry into Consumer Passion (2003)The Cinema of Attractions Reloaded (2006)Denationalization Reconsidered: Asian American Cultural Criticism at a Theoretical Crossroads (1995)Owning the Olympics Narratives of the New China (2008)Owning the Olympics (2008)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Familiarity, Confidence, Trust: Problems and Alternatives (2000)Visibility (2007)Learning by Expanding (2014)Out of Time (2004)Introduction (2016)Introduction (2022)Postmodernism and the Social Sciences (1992)Club cultures: music, media and subcultural capital (1996)Present Pasts: Media, Politics, Amnesia (2000)The New Film History as Media Archaeology (2005)Aesthetics as Philosophy of Perception (2016)In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film (1997)What's the Point of an Index? or, Faking Photographs (2008)Rethinking Research Ethics, Power, and the Risk of Visibility in the Era of the “Alt-Right” Gaze (2018)
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References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 2020Theses on the Philosophy of History1,284 cited
  • 1987After the Great Divide: Modernism, Mass Culture, Postmodernism1,026 cited
  • 1993Window shopping: cinema and the postmodern607 cited
  • 1995Viewing positions: ways of seeing film438 cited
  • 1978Interfaces of the Word: Studies in the Evolution of Consciousness and Culture435 cited
  • 1977Nonsynchronism and the Obligation to Its Dialectics365 cited
  • 1991Woman and Chinese modernity: the politics of reading between West and East320 cited
  • 1985Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard232 cited
  • 1992Early Cinema: Space-Frame-Narrative214 cited
  • 1986The Chinese Enlightenment : Intellectuals and the Legacy of the May Fourth Movement of 1919213 cited
  • 2000Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism208 cited
  • 1990Life to those shadows170 cited
  • 1992Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari135 cited

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2000
Movie-struck girls: women and motion picture culture after the nickelodeon
124 cited

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