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The Earliest Motets: Music and Words
2 references·4 citing·18 second hop
The Earliest Motets: Music and Words (1989)The Earliest Motets: Music and WordsZum genetischen Verhaltnis zwischen Notre-Dame-Klauseln und ihren Motetten (1987)Zum genetischen Verhaltnis zw…Thirteenth-Century Illuminated Miniatures and the Date of the Florence Manuscript (1972)Thirteenth-Century Illuminate…GENRE, ATTRIBUTION AND AUTHORSHIP IN THE THIRTEENTH CENTURY: ROBERT DE REIMS VS ‘ROBERT DE RAINS’ (2019)GENRE, ATTRIBUTION AND AUTHOR…The Thirteenth-Century Motet (2018)The Thirteenth-Century MotetPolyphony in Medieval Paris (2018)Polyphony in Medieval ParisThe Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications (1998)The Selection of Clausula Sou…Source Readings in Music History (1950)The Notation of Polyphonic Music, 900-1600 (1950)Der Musiktraktat des Anonymus 4 (1967)The Frontispiece of Gafori's Practica Musicae (1496) (1974)The Origins of W1 (1976)Accent, Meter, and Rhythm in Medieval Treatises "De rithmis" (1987)Repertorium organorum recentioris et motetorum vetustissimi stili (1961)French Motets in the Thirteenth Century: Music, Poetry and Genre (1995)Palimpsestes. La litterature au second degre (1983)Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut (2002)The Sense of SoundMusical Meaning in France, 1260-1330 (2012)Medieval Music and the Art of Memory (2005)Women, Men, and Spiritual Power (2006)The Early Middle Ages to 1300 (1990)Allegorical Play in the Old French Motet. The Sacred and the Profane in Thirteenth-Century Polyphony (1998)The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry (2013)Reception and Recomposition in the Polyphonic Conductus cum caudis: The Metz Fragment (2000)Song and Quotation in Two-Voice Motets for Saint Elizabeth of Hungary (2017)
this work references cited by second hop

References

  • 1972Thirteenth-Century Illuminated Miniatures and the Date of the Florence Manuscript55 cited
  • 1987Zum genetischen Verhaltnis zwischen Notre-Dame-Klauseln und ihren Motetten30 cited

Cited by

  • 1998The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications19 cited
  • 2019GENRE, ATTRIBUTION AND AUTHORSHIP IN THE THIRTEENTH CENTURY: ROBERT DE REIMS VS ‘ROBERT DE RAINS’19 cited
  • 2018Polyphony in Medieval Paris11 cited
  • 2018The Thirteenth-Century Motet3 cited

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