SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Aspects of Diatonic Sets
0 references·16 citing·40 second hop
Aspects of Diatonic Sets (1979)Aspects of Diatonic SetsHierarchical set theory (2022)Hierarchical set theoryGeneric Sequences and the Generic Tonnetz (2020)Generic Sequences and the Gen…Generic (Mod-7) Voice-Leading Spaces (2019)Generic (Mod-7) Voice-Leading…Transformational Aspects of Arvo Pärt's Tintinnabuli Music (2011)Transformational Aspects of A…Why Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory (2007)Why Are There Twenty-Nine Tet…The legacy of John Clough in mathematical music theory (2007)The legacy of John Clough in …Musical intervals and special linear transformations (2007)Musical intervals and special…Coherence and sameness in well-formed and pairwise well-formed scales (2007)Coherence and sameness in wel…Journal of Music Theoryover the Years (2006)Journal of Music Theoryover t…A Theory of Harmony and Voice Leading for the Music of Olivier Messiaen (2005)A Theory of Harmony and Voice…On Coherence and Sameness, and the Evaluation of Scale Candidacy Claims (2002)On Coherence and Sameness, an…Music theory and mathematics (2002)Music theory and mathematicsDiatonic Connotations of Pitch-Class Sets (1997)Diatonic Connotations of Pitc…Coherent Tone-Systems: A Study in the Theory of Diatonicism (1996)Coherent Tone-Systems: A Stud…Tonic Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt (1986)Tonic Arpeggiation and Succes…Tonic Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt (1986)Tonic Arpeggiation and Succes…Generalized Musical Intervals and Transformations (1988)Maximally Even Sets (1991)Tuning, Timbre, Spectrum, Scale (1998)Generalized diatonic scales (2008)Axiomatic scale theory (2020)Musical pitch quantization as an eigenvalue problem (2020)The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems (1980)The Rise of 6 in the Nineteenth Century (2002)Aspects of Well-Formed Scales (1989)Pseudo-diatonic Scales (2009)Stravinsky: The Progress of a Method (1962)Variety and Multiplicity in Diatonic Systems (1985)Counterpoint and polyphony in recent instrumental works of John Adams (2007)SYMMETRY IN THE MUSIC OF JOHN ADAMS (2014)Performing Knowledge (2020)The Structure of Atonal Music (1973)The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The New Grove dictionary of music and musicians (2001)Pitch-Class Constellations: Studies in the Perception of Tonal CentricityPitch-Class Constellations: Studies in the Perception of Tonal Centricity. Erkki Huovinen . Finnish Musicological Society: Turku, 2002. (2004)Classic Music: Expression, Form, and Style (1981)Prelude on a Partimento (2015)Hexatonic systems and dual groups in mathematical music theory (2017)Symbolic structures in music theory and composition, binary keyboards, and the Thue–Morse shift (2020)Lore and science in ancient Pythagoreanism (1972)Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory (2003)Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music (2012)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)Human acquisition of concepts for sequential patterns. (1963)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Diatonic Voice-Leading Transformations (2023)The Zonal Theory of Musical Time and the TransDisciplinary Approach to the Study of Musical Phenomena (2023)Transformations for the Twenty-First Century (2025)Style and Idea. Selected Writings of Arnold Schoenberg (1976)A geometry of music: harmony and counterpoint in the extended common practice (2012)Audacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)The Structure of Atonal Music (1974)Dissonant Prolongation: Theoretical and Compositional Precedents (1976)Chromatic Third-Relations and Tonal Structure in the Songs of Debussy (1995)Prolongation of Harmonies Related to the Harmonic Series in Early Post-Tonal Music (2002)Chick Corea and Postbop Harmony (2016)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2002Music theory and mathematics51 cited
  • 1986Tonic Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt37 cited
  • 2005A Theory of Harmony and Voice Leading for the Music of Olivier Messiaen33 cited
  • 2007Musical intervals and special linear transformations29 cited
  • 2022Hierarchical set theory27 cited
  • 2007Coherence and sameness in well-formed and pairwise well-formed scales24 cited
  • 2020Generic Sequences and the Generic Tonnetz22 cited
  • 2007Why Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory18 cited
  • 1996Coherent Tone-Systems: A Study in the Theory of Diatonicism18 cited
  • 1997Diatonic Connotations of Pitch-Class Sets17 cited
  • 2002On Coherence and Sameness, and the Evaluation of Scale Candidacy Claims16 cited
  • 1986Tonic Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt14 cited
  • 2006Journal of Music Theoryover the Years13 cited
  • 2011Transformational Aspects of Arvo Pärt's Tintinnabuli Music9 cited
  • 2007

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

The legacy of John Clough in mathematical music theory
7 cited
  • 2019Generic (Mod-7) Voice-Leading Spaces6 cited