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“Music For the Masses”: Milton Babbitt's Cold War Music Theory
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“Music For the Masses”: Milton Babbitt's Cold War Music Theory (1993)“Music For the Masses”: Milton Babbitt's …The Predicament of Culture (1988)The Predicament of CultureComposing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (2019)Composing Freedom: Elliott Ca…A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century (2019)A Scene Without A Name: Indie…The black musician and the white city: race and music in Chicago, 1900-1967 (2014)The black musician and the wh…Princeton Theory's Problematics (2013)Princeton Theory's Problemati…Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti'sÉtudesfor Piano (2012)Maintaining Disorder: Some Te…Music as a (Science as a) Liberal Art at Princeton (2010)Music as a (Science as a) Lib…Introduction: Music in the Cold War (2009)Introduction: Music in the Co…Ginastera's Bomarzo in the United States and the Impotence of the Pan-American Dream (2008)Ginastera's Bomarzo in the Un…Andrey Volkonsky and the Beginnings of Unofficial Music in the Soviet Union (2005)Andrey Volkonsky and the Begi…Who Paid the Piper?: The CIA and the Cultural Cold War (2002)After the golden age: Romantic pianism and modern performance (2008)Postmodern Music/Postmodern Thought (2013)Defining Russia Musically (1997)Frankfurter Allgemeine Zeitung (2001)What Was “Shostakovich,” and What Came Next? (2007)Alger Hiss, The True Story (2017)Music behind the Iron Curtain (2019)Cuban Music Counterpoints (2023)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Culture and Imperialism. (1994)Colonialism's Culture: Anthropology, Travel and Government. (1996)Postwar: a history of Europe since 1945 (2006)Pussy Riot, freedom of expression, and popular music studies after the Cold War (2013)Winning and Losing in Russian New Music Today (2014)Homeward Bound: American Families in the Cold War Era (2017)The Global Cold War: Third World Interventions and the Making of Our Times (2017)The Rockefeller Foundation and Latin American Music in the 1960s: The Creation of Indiana University’s LAMC and Di Tella Institute’s CLAEM (2017)The Principles of Psychology (1891)Being and Time (1927)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Black Metropolis--A Study of Negro Life in a Northern City. (1946)Dark Ghetto: Dilemmas of Social Power (1966)Making the Second Ghetto: Race and Housing in Chicago, 1940-1960 (1984)“Strange What Cosmopolites Music Makes of Us”: Classical Music, the Black Press, and Nora Douglas Holt's Black Feminist Audiotopia (2020)The Structure of Atonal Music (1973)The rest is noise: listening to the twentieth century (2008)– The Symbolic Construction of Community (2013)Outsiders; studies in the sociology of deviance (1963)The Field of Cultural Production: Essays on Art and Literature (1996)Capital in the Twenty-First Century (2014)The Rise and Fall of “Indie Classical”: Tracing a Controversial Term in Twenty-First Century New Music (2018)The Two Cultures (1959)Contemplating Music: Challenges to Musicology (1989)Terminal Prestige: The Case of Avant-Garde Music Composition (1989)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)The Extended Case Method (1998)Translation, Rewriting, and the Manipulation of Literary Fame (2016)
this work references cited by second hop

References

  • 1988The Predicament of Culture951 cited

Cited by

  • 2005Andrey Volkonsky and the Beginnings of Unofficial Music in the Soviet Union40 cited
  • 2009Introduction: Music in the Cold War32 cited
  • 2019Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War10 cited
  • 2010Music as a (Science as a) Liberal Art at Princeton7 cited
  • 2019A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century7 cited
  • 2013Princeton Theory's Problematics4 cited
  • 2014The black musician and the white city: race and music in Chicago, 1900-19674 cited
  • 2012Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti'sÉtudesfor Piano3 cited
  • 2008Ginastera's Bomarzo in the United States and the Impotence of the Pan-American Dream3 cited

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