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Cited by

• 2007The Creation of Lancastrian Kingship76 cited
• 1978The Poet as Hero: Fifth-Century Autobiography and Subsequent Biographical Fiction60 cited
• 1990The peace of 1360–1369 and Anglo-French musical relations58 cited
• 1979Form and Social Statement in Confessio Amantis and The Canterbury Tales56 cited
• 2008The Poetry of Praise47 cited
• 1984Literary Theory at the Close of the Middle Ages: William Caxton and William Thynne47 cited
• 1992Literary, Legal, and Last Judgments in The Canterbury Tales45 cited
• 2007Some New Light on Thomas Hoccleve44 cited
• 1979Sir Gawain and the green knight and the literary achievement of the north-west Midlands: the historical background42 cited
• 1995Chaucer, Humanism, and Printing: Conditions of Authorship in Fifteenth-Century England40 cited
• 2000Chaucer's Legend of Good Women, Ladies at Court and the Female Reader38 cited
• 1982Chaucer’s Fifteenth-Century Audience and the Narrowing of the “Chaucer Tradition”34 cited
• 2001Stratford Atte Bowe Re-Visited33 cited
• 1998Meanings and Uses of Raptus in Chaucer’s Time30 cited
• 2006