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Cited by

• 1992The evolution of the “Con Artist”112 cited
• 2014The Myths That Made America : An Introduction to American Studies36 cited
• 2006Television and Movie Representations of Salespeople: Beyond Willy Loman34 cited
• 2006At the Limits of Identity: Realism and American Personhood in Melville’s Confidence-Man27 cited
• 1984Some Versions of Fantasy: Toward a Cultural History of American Advertising, 1880–193025 cited
• 2007From Virtue to Virtual: DeLillo's Cosmopolis and the Corruption of the Absent Body21 cited
• 2006From Melville to Eddie Murphy: The Disability Con in American Literature and Film17 cited
• 2001Peasant Dreams: Reading On the Road16 cited
• 2016Shape-Shifters, Charlatans, and Frauds: Vladimir Nabokov's Confidence Men15 cited
• 2015DOUBLE-VOICED: MUSIC, GENDER, AND NATURE IN PERFORMANCE14 cited
• 2002A “Wild” and “Homely Narrative”: Resisting Argument in “The Black Cat”6 cited