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Cultural tourism behaviour and preferences among the live‐performing arts audience: an application of the univorous–omnivorous framework
16 references·0 citing·51 second hopsampled
Cultural tourism behaviour and preferences among the live‐performing arts audience: an application of the univorous–omnivorous framework (2009)Cultural tourism behaviour and preference…Issues in Cultural Tourism Studies (2009)Issues in Cultural Tourism St…Heritage/Cultural Attraction Atmospherics: Creating the Right Environment for the Heritage/Cultural Visitor (2007)Heritage/Cultural Attraction …Event tourism: Definition, evolution, and research (2007)Event tourism: Definition, ev…Segmenting tourists to aboriginal cultural festivals: An example in the Rukai tribal area, Taiwan (2005)Segmenting tourists to aborig…Relationship between tourism and cultural heritage management: evidence from Hong Kong (2004)Relationship between tourism …Testing a cultural tourism typology (2003)Testing a cultural tourism ty…Issues in Cultural Tourism Studies (2003)Issues in Cultural Tourism St…Towards a classification of cultural tourists (2002)Towards a classification of c…Tourism attraction systems (2002)Tourism attraction systemsSocial Differentiation in Musical Taste Patterns (2001)Social Differentiation in Mus…Market Segmentation of an International Cultural-Historical Event in Italy (1998)Market Segmentation of an Int…Standing Room Only: Strategies for Marketing the Performing Arts (1997)Standing Room Only: Strategie…Production and consumption of European cultural tourism (1996)Production and consumption of…Changing Highbrow Taste: From Snob to Omnivore (1996)Changing Highbrow Taste: From…Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Understanding audience segmen…Culture Industry Reconsidered (1975)Culture Industry ReconsideredPostmodernism, or, The cultural logic of late capitalism (1991)Globalization: The Human Consequences (1998)Space, place and gender (2007)Museums and cultural sustainability: stakeholders, forces, and cultural policies (2014)A sense of place: place, culture and tourism (2015)Does sustainability enhance tourism destination competitiveness? Evidence from Italian Destinations of Excellence (2015)Toward a Sociology of International Tourism (1972)A Phenomenology of Tourist Experiences (1979)Tourism: Principles, Practices, Philosophies (1990)Tourists’ intention to visit a country: The impact of cultural distance (2007)Components of cultural tourists’ experiences in destinations (2015)Exploring the role of next-generation virtual technologies in destination marketing (2018)The Ritual Process: Structure and Anti-Structure (1976)Flow: the psychology of optimal experience (1990)Flow: The Psychology of Optimal Experience (1991)Creativity and tourism (2011)Progress and prospects for event tourism research (2015)What makes an event a mega-event? Definitions and sizes (2015)The Long Revolution (1961)Writing Culture: The Poetics and Politics of Ethnography (1986)Culture shift in advanced industrial society (1990)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Cultural capital in educational research: A critical assessment (2003)Talk Is Cheap (2014)The Tourist: A New Theory of the Leisure Class. (1977)The Condition of Postmodernity (1991)Tourism development and cultural policies in China (1998)The effects of perceived authenticity, information search behaviour, motivation and destination imagery on cultural behavioural intentions of tourists (2010)Travel and Learning: A Neglected Tourism Research Area (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)Reproduction in Education, Society and Culture (1978)Reproduction in Education, Society and Culture (1979)Culture, Class, and Connections (1996)How Cultural Tastes Shape Personal Networks (2006)The Constitution of Society. Outline of the Theory of Structuration (1984)The image : a guide to pseudo-events in America (1992)Tourist loyalty in creative tourism: the role of experience quality, value, satisfaction, and motivation (2019)Studying Popular Music (1990)Structural Equations with Latent Variables. (1991)The Production of Culture Perspective (2004)Ideal Affect: Cultural Causes and Behavioral Consequences (2007)Cultural tourism and business opportunities for museums and heritage sites (1995)Cultural Tourism in Europe (1996)Visitors' engagement and authenticity: Japanese heritage consumption (2014)Exploring memorable cultural tourism experiences (2019)Assessing the Impact of Hallmark Events: Conceptual and Research Issues (1984)Measuring tourist motivation (1994)Travel Motivations of Japanese Overseas Travelers: A Factor-Cluster Segmentation Approach (1995)Beyond “Commonsense Segmentation”: A Systematics of Segmentation Approaches in Tourism (2004)The nature and scope of festival studies (2010)The role of social identification and hedonism in affecting tourist re-patronizing behaviours: The case of an Italian festival (2010)
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References

  • 1996Changing Highbrow Taste: From Snob to Omnivore2,443 cited
  • 2007Event tourism: Definition, evolution, and research2,247 cited
  • 1992Understanding audience segmentation: From elite and mass to omnivore and univore1,183 cited
  • 2002Towards a classification of cultural tourists567 cited
  • 1996Production and consumption of European cultural tourism441 cited
  • 2003Testing a cultural tourism typology432 cited
  • 2001Social Differentiation in Musical Taste Patterns402 cited
  • 2009Issues in Cultural Tourism Studies388 cited
  • 1998Market Segmentation of an International Cultural-Historical Event in Italy371 cited
  • 2002Tourism attraction systems360 cited
  • 2004Relationship between tourism and cultural heritage management: evidence from Hong Kong335 cited
  • 2003Issues in Cultural Tourism Studies329 cited
  • 2007Heritage/Cultural Attraction Atmospherics: Creating the Right Environment for the Heritage/Cultural Visitor300 cited
  • 1997Standing Room Only: Strategies for Marketing the Performing Arts291 cited
  • 1975Culture Industry Reconsidered266 cited
  • 2005

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Segmenting tourists to aboriginal cultural festivals: An example in the Rukai tribal area, Taiwan
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