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Relaciones entre psicología y musicología en el derrotero de la interpretación musical
16 references·0 citing·31 second hop
Relaciones entre psicología y musicología en el derrotero de la interpretación musical (2006)Relaciones entre psicología y musicología…La psicologización del ámbito estético entre mediados del siglo XIX y principios del XX (2005)La psicologización del ámbito…“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)“To Play as if from the Soul …Stravinsky's Les Noces (Svadebka), and The Prohibition Against Expressive Timing (2003)Stravinsky's Les Noces (Svade…The emergence of a new paradigm in ape language research (2002)The emergence of a new paradi…Schumann's Piano Practice: Technical Mastery and Artistic Ideal (2002)Schumann's Piano Practice: Te…Text and act: essays on music and performance (1996)Text and act: essays on music…Performing Music: Shared Concerns (1995)Performing Music: Shared Conc…Performance and analysis: interaction and interpretation (1995)Performance and analysis: int…Analysis and the act of performance (1995)Analysis and the act of perfo…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Musical Structure and Performance (1989)Musical Structure and Perform…On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5 (1985)On the Relation of Analysis t…Hegel’s Aesthetics (1977)Hegel’s AestheticsStyle and Idea: Selected Writings of Arnold Schoenberg (1975)Style and Idea: Selected Writ…Musical Form and Musical Performance (1971)Musical Form and Musical Perf…Poetics of Music (1948)Poetics of MusicThe Principles of Psychology (1891)How To Do Things With Words (1975)Mind in Society: The Development of Higher Psychological Processes (1978)9. The heterochronic origins of explicit reference (2008)Imitation as a Mechanism of Cultural Transmission (2009)Theoretical and Applied Dynamic Systems Research in Developmental Science (2011)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)Music talent, and performance: a conservatory cultural system (1988)The End of Early Music (2007)Compositions, Scores, Performances, Meanings (2012)Performing Civility (2015)The Schenker Project (2007)Class, Control, and Classical Music (2019)Riffs, Repetition, and Theories of Globalization (1999)The Propulsion Model of Creative Contributions Applied to the Arts and Letters (2001)Musical Witness and Holocaust Representation (2015)Musical Performance as Interpretation (1995)Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation1 (2007)Musical Forces and Melodic Patterns (2016)Analysis and (or?) performance (2002)Inventing Tradition: Webern's Piano Variations in Early Recordings (2017)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)In Respect of Performance: The View from Musicology (2003)Musically untrained college students' interpretations of musical notation: sound, silence, loudness, duration, and temporal order (2008)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)From Policy “Frames” to “Framing” (2014)Between Process and Product (2001)The Half Cadence and Other Such Slippery Events (2014)
this work references cited by second hop

References

  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1996Text and act: essays on music and performance331 cited
  • 1975Style and Idea: Selected Writings of Arnold Schoenberg237 cited
  • 2005“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics220 cited
  • 1971Musical Form and Musical Performance174 cited
  • 1985On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5124 cited
  • 1995Performance and analysis: interaction and interpretation107 cited
  • 2002The emergence of a new paradigm in ape language research98 cited
  • 1989Musical Structure and Performance97 cited
  • 1995Analysis and the act of performance74 cited
  • 1948Poetics of Music62 cited
  • 1977Hegel’s Aesthetics58 cited
  • 1995Performing Music: Shared Concerns26 cited
  • 2005La psicologización del ámbito estético entre mediados del siglo XIX y principios del XX15 cited
  • 2002Schumann's Piano Practice: Technical Mastery and Artistic Ideal14 cited
  • 2003Stravinsky's Les Noces (Svadebka), and The Prohibition Against Expressive Timing

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