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Sleepy township: Perth indie rock in the 1990s
12 references·3 citing·43 second hop
Sleepy township: Perth indie rock in the 1990s (2015)Sleepy township: Perth indie rock in the …White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock (2017)White Boys, White Noise: Masc…Brian Poole and The Tremeloes or The Yardbirds (2015)Brian Poole and The Tremeloes…Bury me deep in isolation: A cultural examination of a peripheral music industry and scene (2013)Bury me deep in isolation: A …The Triffids: The Sense of a Place (2007)The Triffids: The Sense of a …What Is Indie Rock? (2005)What Is Indie Rock?Site and sound : understanding independent music scenes (2003)Site and sound : understandin…INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)INDIE: THE INSTITUTIONAL POLI…Why Seattle? An Examination of an Alternative Rock Culture Hearth (1998)Why Seattle? An Examination o…Subcultural identity in alternative music culture (1993)Subcultural identity in alter…REGION, AGENCY, AND POPULAR MUSIC: THE NORTHWEST SOUND, 1958–1966 (1993)REGION, AGENCY, AND POPULAR M…Blissed out: the raptures of rock (1991)Blissed out: the raptures of …Art into Pop (1987)Art into PopAudio identity in branding and brand communication strategy: a systematic review of the literature on audio branding (2022)Audio identity in branding an…You Get to Know the Scene Inside Out, but the Cost of Travel is a Burden: The Impacts of Isolation and Peripherality on the Contemporary Music Scene of Perth, Western Australia (2021)You Get to Know the Scene Ins…Archaeology, Heritage and Performance in the Perth Popular Music Scene (2019)Archaeology, Heritage and Per…Zoot Suits and Second-Hand Dresses (1989)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Senseless acts of beauty: cultures of resistance since the sixties (1996)Free Labor (2000)Bourdieu, the media and cultural production (2006)Amateur experts (2009)Heavy Metal: A Cultural Sociology. (1992)Géographie et musiques : état des lieux (2006)Patterns of Knowledge: The Geography of Advanced Services and the Case of Art and Culture (2008)Innovation in Creative Industries: Does (Related) Variety Matter for the Creativity of Urban Music Scenes? (2019)Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Birth of the Prison. (1996)Club Cultures: Music, Media and Subcultural Capital (1997)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Critique and Renewal in the Sociology of Music: Bourdieu and Beyond (2011)Selling Out: Musicians, Autonomy, and Compromise in the Digital Age (2016)The Cultural Contradictions of Capitalism. (1977)The Constitution of Society. Outline of the Theory of Structuration (1984)Place and region (1994)Subculture (2010)Geography of American rap: rap diffusion and rap centers (2015)Geography and film music: Musicology, gender, and the spatiality of instrumental music (2021)The Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-Making in an English Town. (1990)Beyond geography's visible worlds: a cultural politics of music (1997)MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES (2002)The Mediated Performance of Vernaculars (2009)Noise, the Political Economy of Music (1989)Live music, liquor and the city: An examination of the influence of liquor regulation on place-specific live music activity (2016)From Snake Pits to Ballrooms: class, race and early rock’n’roll in Perth (2017)How the Central Sydney independent musicians use pre-established ‘online DIY’ to sustain their networking during the COVID-19 pandemic (2021)Perspectives on Consumer Culture (1990)“Heritage rock”: Rock music, representation and heritage discourse (2009)Looking for work in creative industries policy (2009)Technology Adoption and Use in the Aftermath of Hurricane Katrina in New Orleans (2010)The Swedish Model: Balancing Markets and Gifts in the Music Industry (2011)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Perspectives on Males and Singing (2012)Rethinking DIY culture in a post-industrial and global context (2018)DIY Music and the Politics of Social Media (2020)Mixing pop and politics: rock music in Czechoslovakia before and after the Velvet Revolution (1992)Policing Bohemia, pinning up grunge: the music press and generic change in British pop and rock (1993)“Everyone's Given Up and Just Wants to Go Dancing”: From Punk to Rave in the Thatcher Era (2006)
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References

  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 1987Art into Pop164 cited
  • 1993Subcultural identity in alternative music culture159 cited
  • 2005What Is Indie Rock?138 cited
  • 1991Blissed out: the raptures of rock88 cited
  • 2003Site and sound : understanding independent music scenes80 cited
  • 2017White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock74 cited
  • 1998Why Seattle? An Examination of an Alternative Rock Culture Hearth52 cited
  • 1993REGION, AGENCY, AND POPULAR MUSIC: THE NORTHWEST SOUND, 1958–196629 cited
  • 2013Bury me deep in isolation: A cultural examination of a peripheral music industry and scene17 cited
  • 2007The Triffids: The Sense of a Place5 cited
  • 2015Brian Poole and The Tremeloes or The Yardbirds5 cited

Cited by

  • 2022Audio identity in branding and brand communication strategy: a systematic review of the literature on audio branding13 cited
  • 2019Archaeology, Heritage and Performance in the Perth Popular Music Scene3 cited
  • 2021You Get to Know the Scene Inside Out, but the Cost of Travel is a Burden: The Impacts of Isolation and Peripherality on the Contemporary Music Scene of Perth, Western Australia

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3 cited