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Authors and Rappers: Italian Hip Hop and the Shifting Boundaries of Canzone d’Autore
4 references·6 citing·44 second hop
Authors and Rappers: Italian Hip Hop and the Shifting Boundaries of Canzone d’Autore (2007)Authors and Rappers: Italian Hip Hop and …Authenticity as authentication (2002)Authenticity as authenticationDroppin' science : critical essays on rap music and hip hop culture (1996)Droppin' science : critical e…The black Atlantic (1993)The black AtlanticRock music and politics in Italy (1984)Rock music and politics in It…Music and words against racism: a qualitative study with racialized artists in Italy (2022)Music and words against racis…‘If I see a black dot, I shoot it on sight!’: Italian rap between anti- and neo-fascisms (2020)‘If I see a black dot, I shoo…El nost Milan: il rap dei ‘nuovi italiani', tra riappropriazioni urbane e rivendicazioni identitarie (2019)El nost Milan: il rap dei ‘nu…Genre and the cultural politics of territory: The live experience of free improvisation (2012)Genre and the cultural politi…Crossing Divides (2009)Crossing DividesInnovation and diversity in cultural sociology. Notes on Peterson and Berger's classic article (2007)Innovation and diversity in c…Industrial Market Structure and Economic Performance. (1971)Capitalism, Socialism and Democracy (1997)Economy and Society: An Outline of Interpretive Sociology (2002)Whose Music? A Sociology of Musical Languages (1978)The Sociology of Rock (1979)‘The magic that can set you free’: the ideology of folk and the myth of the rock community (1981)Questions of style: notes on Italian hip hop (1995)Adriano Celentano and the origins of rock and roll in Italy (2006)Listening in the Wilderness: The Audience Reception of Oliver Mtukudzi’s Music in the Zimbabwean Diaspora (2013)Behavior in Public Places: Notes on the Social Organization of Gatherings. (1964)Frame Analysis: An Essay on the Organization of Experience. (1975)Making space: an exchange about women and the performance of free noise (2015)Collective Free Music Improvisation as a Sociocommunicative Endeavor: A Literature Review (2018)The Absent Presence of Progressive Rock in the British Music Press, 1968-1974 (2019)Relations in Public. Microstudies of the Public Order (2022)The Social Life of Things (1986)The Gender of the GiftProblems with Women and Problems with Society in Melanesia (1988)Corporate social responsibility as cultural meaning management: a critique of the marketing of ‘ethical’ bottled water (2011)Correspondence sales education in the early twentieth century: The case of The Sheldon School (1902–39) (2011)From Fordist to creative economies: the de-Americanisation of European advertising cultures since the 1960s (2013)Modernity and Self-Identity (2023)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Sensitive research topics: netnography revisited (2005)Life as Politics : How Ordinary People Change the Middle East (2010)`A Love Born of Hate' (2000)Second-generation attitude? African-Italians in Milan (2002)Hip-Hop & the Global Imprint of a Black Cultural Form (2011)'There ain't no black in the Union Jack' : the cultural politics of race and nation (1987)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)The Black Atlantic: Modernity and Double Consciousness (1994)Cultural placemaking in the black suburbs of the tourist city (2024)Discourses of solidarity and resistance in alternative linguistic spaces: Galician improvised poetry as linguistic collective action (2024)EVALUATING ‘DIASPORA’: BEYOND ETHNICITY? (1998)Performance Studies: Interventions and Radical Research (2002)Where do I belong? (2002)Language, Discourse and Power in African American Culture (2002)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Muslim networks from Hajj to hip hop (2005)
this work references cited by second hop

References

  • 1993The black Atlantic550 cited
  • 2002Authenticity as authentication485 cited
  • 1996Droppin' science : critical essays on rap music and hip hop culture386 cited
  • 1984Rock music and politics in Italy23 cited

Cited by

  • 2009Crossing Divides37 cited
  • 2022Music and words against racism: a qualitative study with racialized artists in Italy11 cited
  • 2012Genre and the cultural politics of territory: The live experience of free improvisation11 cited
  • 2007Innovation and diversity in cultural sociology. Notes on Peterson and Berger's classic article4 cited
  • 2020‘If I see a black dot, I shoot it on sight!’: Italian rap between anti- and neo-fascisms3 cited
  • 2019El nost Milan: il rap dei ‘nuovi italiani', tra riappropriazioni urbane e rivendicazioni identitarie2 cited

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