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Shakira as the Idealized Transnational Citizen: A Case Study of Colombianidad in Transition
16 references·7 citing·33 second hop
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this work references cited by second hop

References

  • 2012The History of Sexuality: An Introduction5,375 cited
  • 1988Under Western Eyes: Feminist Scholarship and Colonial Discourses4,844 cited
  • 1999Transnationalism from Below1,256 cited
  • 1996Unthinking Eurocentrism: Multiculturalism and the Media1,013 cited
  • 1999Between woman and nation : nationalisms, transnational feminisms, and the state715 cited
  • 2002Latinos, Inc.: the marketing and making of a people622 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1995Ethnic labels, Latino lives: identity and the politics of (re)presentation in the United States512 cited
  • 1989Culture & truth: the remaking of social analysis481 cited
  • 1998Sexing the Groove: Popular Music and Gender478 cited
  • 1989Relating to Privilege: Seduction and Rejection in the Subordination of White Women and Women of Color406 cited
  • 1999Mistrust, fragmented solidarity, and transnational migration: Colombians in New York City and Los Angeles228 cited
  • 2001Magical urbanism: Latinos reinvent the US city210 cited
  • 1995The choices of identity191 cited
  • 1995Theorizing Feminism: Parallel Trends in the Humanities and Social Sciences

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148 cited
  • 2017Rock and Sexuality146 cited
  • Cited by

    • 2008Real Women Have Curves130 cited
    • 2012The Voice of (Which?) Africa: Miriam Makeba in America16 cited
    • 2013Latina bodies in the era of elective aesthetic surgery16 cited
    • 2004Hispanas de Queens: Latino Panethnicity in a New York City Neighborhood15 cited
    • 2013Bellas por naturaleza: Mapping national identity on US Colombian beauty queens12 cited
    • 2017Walk like a woman, talk like a man: Ivy Queen’s troubling of gender11 cited
    • 2008Latinos in the Garage: A Genealogical Examination of the Latino/a Presence and Influence in Garage Rock (and Rock and Pop Music)16 cited