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Holidays in the Sun: The Sex Pistols at the Seaside
16 references·0 citing·42 second hop
Holidays in the Sun: The Sex Pistols at the Seaside (2015)Holidays in the Sun: The Sex Pistols at t…Print the truth, not the legend The Sex Pistols: Lesser Free Trade Hall, Manchester, June 4, 1976 (2017)Print the truth, not the lege…Performance and Popular Music: History, Place and Time (2013)Performance and Popular Music…“Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock (2013)“Well I Don’t Care About Hist…Voice, place and genre in popular song performance1 (2011)Voice, place and genre in pop…The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia (2008)The Englishness of English Pu…The primary code: The meanings of John Peel, radio and popular music (2007)The primary code: The meaning…Punk Rock: An Oral History (2007)Punk Rock: An Oral HistoryPunk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)Punk’s Not Dead: The Continui…Performance Analysis and Popular Music: A Manifesto (2004)Performance Analysis and Popu…Know history!: John Lydon, cultural capital and the prog/punk dialectic (2003)Know history!: John Lydon, cu…TOO LOW TO BE LOW : Art pop and the Sex Pistols (2002)TOO LOW TO BE LOW : Art pop a…Punk Rock: So What? : The Cultural Legacy of Punk (2002)Punk Rock: So What? : The Cul…Performing rites: on the value of popular music (1997)Performing rites: on the valu…The Future of “No Future”: Punk Rock and Postmodern Theory (1996)The Future of “No Future”: Pu…England's dreaming : Sex Pistols and punk rock (1992)England's dreaming : Sex Pist…The Wicked Ways of Malcolm McLaren (1989)The Wicked Ways of Malcolm Mc…Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The Black Atlantic: Modernity and Double Consciousness (1994)Globalization: The Human Consequences (1998)Language change, social change, sociolinguistic change: A meta‐commentary (2014)Rihanna Works Her Multivocal Pop Persona: A Morpho-syntactic and Accent Analysis of Rihanna's Singing Style (2017)Text-linguistic analysis of performed language: revisiting and re-modeling Koch and Oesterreicher (2021)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)Edge of Empire (2002)Loaded pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance (2010)Punk, ação e contradição em Portugal. Uma aproximação às culturas juvenis contemporâneas* (2013)The Cambridge Companion to the Rolling Stones (2019)The Postmodern Turn: Essays in Postmodern Theory and Culture (1987)The End of the Century Party: Youth and Pop Towards 2000 (1990)Haunted by the Spirit of '77: Punk Studies and the Persistence of Politics (2006)Punk, DIY, and Anarchy in Archaeological Thought and Practice (2017)7 Never Mind the Bollocks, Here’s the Sex Pistols (2018)Kathy Acker (2020)Remodeling Britney Spears: Matters of Intoxication and Mediation (2007)A many-headed beast: progressive rock as European meta-genre (2010)Hearing punk as blues (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)On Record: Rock, Pop and the Written Word (1990)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Hiding in the Light, on Images and Things (1992)What Is Sociological about Music? (2010)The post-subcultural turn: some reflections 10 years on (2011)Musical taste and patterns of symbolic exclusion in the United States 1993–2012: Generational dynamics of differentiation and continuity (2015)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Architecture and Modern Literature (2012)Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview (2018)Musical Personae (2006)The Performativity of Performance Documentation (2006)Building the Authentic Celebrity: The “Idol” Phenomenon in the Attention Economy (2007)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Feel the beat come down: house music as rhetoric (2003)Is anybody listening? (2003)The determining role of performance in the articulation of meaning: the case of ‘Try a Little Tenderness’ (2003)Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany (2004)The Oxford Handbook of Group Creativity and Innovation (2019)
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References

  • 1997Performing rites: on the value of popular music1,310 cited
  • 1992England's dreaming : Sex Pistols and punk rock286 cited
  • 2002Punk Rock: So What? : The Cultural Legacy of Punk225 cited
  • 2006Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans201 cited
  • 2004Performance Analysis and Popular Music: A Manifesto178 cited
  • 2011Voice, place and genre in popular song performance185 cited
  • 2008The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia52 cited
  • 1996The Future of “No Future”: Punk Rock and Postmodern Theory50 cited
  • 2003Know history!: John Lydon, cultural capital and the prog/punk dialectic35 cited
  • 1989The Wicked Ways of Malcolm McLaren28 cited
  • 2007Punk Rock: An Oral History27 cited
  • 2013Performance and Popular Music: History, Place and Time21 cited
  • 2013“Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock20 cited
  • 2002TOO LOW TO BE LOW : Art pop and the Sex Pistols18 cited
  • 2007The primary code: The meanings of John Peel, radio and popular music12 cited
  • 2017

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Print the truth, not the legend The Sex Pistols: Lesser Free Trade Hall, Manchester, June 4, 1976
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