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Fear at the hands of technology: The proto-Surrealism of the films of Segundo de Chomn
12 references·0 citing·19 second hop
Fear at the hands of technology: The proto-Surrealism of the films of Segundo de Chomn (2008)Fear at the hands of technology: The prot…Surrealism and Cinema (2006)Surrealism and CinemaCinema's ?sanctuary?: From pre-documentary to documentary film in Albert Kahn'sArchives de la Plan�te(1908-1931) (2001)Cinema's ?sanctuary?: From pr…Proyector de luna : la generación del 27 y el cine (1999)Proyector de luna : la genera…Guide to the cinema of Spain (1998)Guide to the cinema of SpainBlood cinema: the reconstruction of national identity in Spain (1994)Blood cinema: the reconstruct…Blood Cinema (1993)Blood CinemaEl cine de Segundo de Chomón (1992)El cine de Segundo de ChomónThe Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…Non-Continuity, Continuity, Discontinuity A Theory of Genres in Early Films (1990)Non-Continuity, Continuity, D…Figures of Desire: A Theory and Analysis of Surrealist Film (1983)Figures of Desire: A Theory a…A Dream of Arcadia (1975)A Dream of ArcadiaMovie Magic: The Story of Special Effects in the Cinema (1974)Movie Magic: The Story of Spe…Recepción del cine soviético en España: una historia entre guerras, censuras y aperturas (2010)Discourse and the film text: Four readings ofCarmen (1994)Memory and Modernity in Democratic Spain: The Difficulty of Coming to Terms with the Spanish Civil War (2007)Concepts of transnational cinema: towards a critical transnationalism in film studies (2010)Dolls in Fragments: Daisies as Feminist Allegory (2001)Surréalisme Sous-l'Eau: Science and Surrealism in the Early Films and Writings of Jean Painlevé (2010)Film and the Dream Screen: A Sleep and a Forgetting (2014)“The Whole World Within Reach” (2006)From Lecturer’s Prop to Industrial Product (2006)Forgotten Paths of Empire: Ecology, Disease, and Commerce in the Making of Liberia’s Plantation Economy (2016)New Media: A Critical Introduction (2003)The Cinema of Attractions Reloaded (2006)Show sold separately: promos, spoilers, and other media paratexts (2010)Bewegung (2004)‘A Distinct Advance in Society’: Early Cinema's ‘Proletarian Public Sphere’ and Isolated Spectatorship in the UK, 1911-18 (2006)The Cinema of Attractions Reloaded (2006)Eighteenth-century prose writing (2005)Darkened Rooms: A Genealogy of Avant-Garde Filmstrips from Man Ray to the London Film-Makers' Co-op and Back Again (2008)Cinematic Surrealism of the Interactive Virtual Space (2020)
this work references cited by second hop

References

  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 1994Blood cinema: the reconstruction of national identity in Spain277 cited
  • 1993Blood Cinema181 cited
  • 1983Figures of Desire: A Theory and Analysis of Surrealist Film130 cited
  • 1990Non-Continuity, Continuity, Discontinuity A Theory of Genres in Early Films61 cited
  • 2006Surrealism and Cinema49 cited
  • 2001Cinema's ?sanctuary?: From pre-documentary to documentary film in Albert Kahn'sArchives de la Plan�te(1908-1931)27 cited
  • 1999Proyector de luna : la generación del 27 y el cine20 cited
  • 1998Guide to the cinema of Spain19 cited
  • 1975A Dream of Arcadia18 cited
  • 1974Movie Magic: The Story of Special Effects in the Cinema15 cited
  • 1992El cine de Segundo de Chomón4 cited

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