No Boundary Line to Art: "Bebop" as Afro-Modernist Discourse

Jesse Stewart

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Musicology and Musical Analysis Music History and Culture Modernist Literature and Criticism

Abstract

© 2011 by the Board of Trustees of the University of Illinois Jesse Stewart is a composer, percussionist, instrument builder, educator, researcher, and writer. His music has been performed at festivals throughout Canada, the United States, and Europe, and he has performed with musicians including George Lewis, Roswell Rudd, Bill Dixon, William Parker, Evan Parker, Pauline Oliveros, and many others. His writings on music, art, and culture have appeared in publications including Black Music Research Journal, Contemporary Music Review, Interdisciplinary Humanities, and Intermedialities. He teaches music composition at Carleton University in Ottawa. JESSE STEWART

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References

1997The Black Atlantic: Modernity and Double Consciousness.1988The Signifying Monkey: A Theory of African-American Literary Criticism 1995The Gender of Modernity 1987After the Great Divide: Modernism, Mass Culture, Postmodernism 1987Modernism and the Harlem Renaissance 1990No Respect: Intellectuals and Popular Culture 1963Blues People: Negro Music in White America 2019THE RENAISSANCE: STUDIES IN ART AND POETRY

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