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No Boundary Line to Art: "Bebop" as Afro-Modernist Discourse
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References

  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1995The Gender of Modernity1,236 cited
  • 1987After the Great Divide: Modernism, Mass Culture, Postmodernism1,026 cited
  • 1987Modernism and the Harlem Renaissance967 cited
  • 1990No Respect: Intellectuals and Popular Culture927 cited
  • 1963Blues People: Negro Music in White America879 cited
  • 2019THE RENAISSANCE: STUDIES IN ART AND POETRY709 cited
  • 2006Phonographies: grooves in sonic Afro-modernity536 cited
  • 1993Subcultural Sounds: Micromusics of the West465 cited
  • 1999The Jazz cadence of American culture424 cited
  • 2004Race music: black cultures from bebop to hip-hop378 cited
  • 1999What the music said: black popular music and black public culture309 cited
  • 2002Improvised Music after 1950: Afrological and Eurological Perspectives305 cited
  • 2002What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists277 cited
  • 1995Keeping Faith: Philosophy and Race in America.

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