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Madness, Money, and Movies: Watching a Nigerian Popular Video with the Guidance of a Native Doctor
14 references·7 citing·32 second hop
Madness, Money, and Movies: Watching a Nigerian Popular Video with the Guidance of a Native Doctor (2002)Madness, Money, and Movies: Watching a Ni…Occult Economies and the Violence of Abstraction: Notes from the South African Postcolony (2020)Occult Economies and the Viol…Capital: A Critique of Political Economy (2020)Capital: A Critique of Politi…The Generation of Plays: Yoruba Popular Life in Theater (2002)The Generation of Plays: Yoru…Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image (2002)Symbolic Narratives/African C…African cinema : postcolonial and feminist readings (1999)African cinema : postcolonial…Of Revelation and Revolution, Volume 2 (1997)Of Revelation and Revolution,…Nigerian video films (1997)Nigerian video filmsIndian films and Nigerian lovers: media and the creation of parallel modernities (1997)Indian films and Nigerian lov…After God is dibia : Igbo cosmology, divination & sacred science in Nigeria (1997)After God is dibia : Igbo cos…Yearnings: televisual love and melodramatic politics in contemporary China (1994)Yearnings: televisual love an…Modernity and Its Malcontents: Ritual and Power in Postcolonial Africa. (1994)Modernity and Its Malcontents…Black African Cinema (1994)Black African CinemaAfrican Cinema: Politics and Culture (1993)African Cinema: Politics and …Popular Arts in Africa (1987)Popular Arts in AfricaThe Role of Copyright in Creative Industry Development (2017)The Role of Copyright in Crea…New Media and Religious Transformations in Africa (2015)New Media and Religious Trans…‘Showing-Off Aesthetics’: Looking Good, Making Relations and ‘Being in the World’ in the London Akan Diaspora (2013)‘Showing-Off Aesthetics’: Loo…Words to Make you Laugh?: Performing the Public in Guadeloupean Comedy Sketches (2012)Words to Make you Laugh?: Per…A literature review: Nigerian and Ghanaian videos (2010)A literature review: Nigerian…IMU AHIA: Traditional Igbo Business School and Global Commerce Culture (2007)IMU AHIA: Traditional Igbo Bu…Juju and Justice at the Movies: Vigilantes in Nigerian Popular Videos (2004)Juju and Justice at the Movie…Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Resituating the Place of Educational Discourse in Anthropology (1999)“Just Like the Qing Empire” (2007)Imperfect Media and the Poetics of Indigenous Video in Latin America (2008)Distinction: A Social Critique of the Judgement of Taste* (2018)Veiled Sentiments: Honor and Poetry in a Bedouin Society (1987)Recapturing anthropology: working in the present (1992)Cultural Complexity: Studies in the Social Organization of Meaning. (1994)Culture, Globalization, Mediation (2004)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)World Cinemas, Transnational Perspectives (2009)The Garrison-Entrepôt (1998)Radical Worlds: The Anthropology of Incommensurability and Inconceivability (2001)African Modes of Self-Writing (2002)Occult economies and the violence of abstraction: notes from the South African postcolony (1999)Language and Agency (2001)Environmentality: Technologies of Government and the Making of Subjects (2005)Millennial Capitalism: First Thoughts on a Second Coming (2000)Coloniality of Power, Eurocentrism, and Latin America (2008)Spectacles of migrant ‘illegality’: the scene of exclusion, the obscene of inclusion (2013)On the Idea of a Caribbean Cultural Studies (2013)Sylvia Wynter's Theory of the Human and the Crisis School of Caribbean Heteromasculinity Studies (2016)Sylvia Wynter’s Theory of the Human: Counter-, not Post-humanist (2020)Disjuncture and Difference in the Global Cultural Economy (1990)Disjuncture and Difference in the Global Cultural Economy (1990)Capitalism and Autochthony: The Seesaw of Mobility and Belonging (2000)Theory from the South: or, how Euro-America is evolving toward Africa (2011)Of Westerns, Women, and War: Re-Situating Angolan Cinema and the Nation (2001)A History of African Popular Culture (2017)Popular Ghanaian Cinema and ?African Heritage? (1999)Africans filming Africa: Questioning theories of an authentic African cinema (2000)
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References

  • 2020Capital: A Critique of Political Economy9,870 cited
  • 1997Of Revelation and Revolution, Volume 2971 cited
  • 2020Occult Economies and the Violence of Abstraction: Notes from the South African Postcolony766 cited
  • 1994Modernity and Its Malcontents: Ritual and Power in Postcolonial Africa.714 cited
  • 1987Popular Arts in Africa539 cited
  • 1997Indian films and Nigerian lovers: media and the creation of parallel modernities445 cited
  • 1993African Cinema: Politics and Culture299 cited
  • 1994Black African Cinema259 cited
  • 1994Yearnings: televisual love and melodramatic politics in contemporary China176 cited
  • 2002Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image130 cited
  • 1997Nigerian video films111 cited
  • 2002The Generation of Plays: Yoruba Popular Life in Theater61 cited
  • 1999African cinema : postcolonial and feminist readings49 cited
  • 1997After God is dibia : Igbo cosmology, divination & sacred science in Nigeria20 cited

Cited by

  • 2015New Media and Religious Transformations in Africa101 cited
  • 2007

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IMU AHIA: Traditional Igbo Business School and Global Commerce Culture
61 cited
  • 2010A literature review: Nigerian and Ghanaian videos59 cited
  • 2004Juju and Justice at the Movies: Vigilantes in Nigerian Popular Videos57 cited
  • 2017The Role of Copyright in Creative Industry Development12 cited
  • 2013‘Showing-Off Aesthetics’: Looking Good, Making Relations and ‘Being in the World’ in the London Akan Diaspora12 cited
  • 2012Words to Make you Laugh?: Performing the Public in Guadeloupean Comedy Sketches9 cited