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Marks of Civilization: Artistic Transformations of the Human Body
0 references·16 citing·58 second hopsampled
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  • 1993Shellfish, Gender, and Status on the Northwest Coast: Reconciling Archeological, Ethnographic, and Ethnohistorical Records of the Tlingit182 cited
  • 2004Factors That Influence Attitudes Toward Women with Tattoos98 cited
  • 2011The Spirit of Mourning: History, Memory and the Body96 cited
  • 2018The Body as (Another) Place: Producing Embodied Heterotopias Through Tattooing93 cited
  • 2004Tattooing and Civilizing Processes: Body Modification as Self‐control*86 cited
  • 2005Response of mouse skin to tattooing: use of SKH-1 mice as a surrogate model for human tattooing78 cited
  • 2013The Artification of Tattoo: Transformations within a Cultural Field64 cited
  • 1999Modern Primitivism': Non-Mainstream Body Modification and Racialized Representation64 cited
  • 2014A Deviant Art: Tattoo‐Related Stigma in an Era of Commodification59 cited
  • 1991Post–Bourgeois Tattoo: Reflections on Skin Writing in Late Capitalist Societies57 cited
  • 1989African Visual Arts from an Art Historical Perspective48 cited
  • 2003Painted Early Cycladic Figures: An Exploration of Context and Meaning48 cited
  • 2012Body Marks, Pots, and Pipes: Some Correlations between African Scarifications and Pottery Decoration in Eighteenth- and Nineteenth-Century Brazil44 cited

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2001
Gallo's Body
37 cited
  • 2017Marked: Tattoo as an Expression of Psyche30 cited
  • 2013The dilemmas of embodied symbolic representation: Regret in contemporary American tattoo narratives30 cited