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Cited by

• 2001Mythmaking in Annual Reports101 cited
• 2013Poetic inquiry and multidisciplinary qualitative research89 cited
• 1996"The Color of My Skin, the Shape of My Eyes": Photographs of the Japanese-American Internment by Dorothea Lange, Ansel Adams, and Toyo Miyatake29 cited
• 2003“Cameras ‘never lie’”: The Role of Photography in Telling the Story of American Evangelical Missions29 cited
• 1994Visual Historical Methods: Problems, Prospects, Applications29 cited
• 2008Documentary Photography in American Social Welfare History: 1897-194328 cited
• 2001Readers' Perception of Digital Alteration in Photojournalism28 cited
• 1994Images in struggle: Photographs of Colorado coal camps13 cited
• 2001Documentary as art inU. S. Camera9 cited
• 1998Filling in the Picture: Visual Culture7 cited
• 2004Aerial views and farm security administration photography6 cited
• 2010No Democracy in Quality: Ansel Adams, Beaumont and Nancy Newhall, and the Founding of the Department of Photographs at the Museum of Modern Art5 cited
• 2021Social protest photography and public history: “Whose streets? Our streets!”: New York City, 1980–20004 cited
• 2014Fotografia e a cultura política nos tempos da política da Boa Vizinhança