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The Discourse of Pictures: Iconicity and Film Studies
16 references·14 citing·35 second hop
The Discourse of Pictures: Iconicity and Film Studies (1993)The Discourse of Pictures: Iconicity and …Narration in the Fiction Film (2013)Narration in the Fiction FilmThe Whorfian hypothesis: A cognitive psychology perspective. (1991)The Whorfian hypothesis: A co…Narration in the Fiction Film (1986)Narration in the Fiction FilmApproaches to Emotion (1984)Approaches to EmotionQuestions of Cinema (1981)Questions of CinemaReflections on Language (1975)Reflections on LanguageWhat the Mind’s Eye Tells the Mind’s Brain: A Critique of Mental Imagery (1973)What the Mind’s Eye Tells the…Basic color terms: their universality and evolution. By Brent Berlin and Paul Kay. Berkeley & Los Angeles: University of California Press, 1969. Pp. xi, 178. $8.50. (1973)Basic color terms: their univ…Signs and Meaning in the Cinema (1971)Signs and Meaning in the Cine…Constants across cultures in the face and emotion. (1971)Constants across cultures in …Basic Color Terms: Their Universality and Evolution. 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(1872)The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding (1969)Patterns of cognitive appraisal in emotion. (1985)What's basic about basic emotions? (1990)Affect, imagery, consciousness, Vol. 1: The positive affects. (1992)On the universality and cultural specificity of emotion recognition: A meta-analysis. (2002)ASPECTS OF THE THEORY OF SYNTAX (1964)The Senses Considered as Perceptual Systems (1969)Human Problem Solving (1972)Arguments concerning representations for mental imagery. (1978)Computation and cognition: issues in the foundations of cognitive science (1980)The imagery debate: Analogue media versus tacit knowledge. (1981)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)Cognitive reference points (1975)The meme machine (1999)The weirdest people in the world? 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this work references cited by second hop

References

  • 1971Constants across cultures in the face and emotion.5,506 cited
  • 1973Basic color terms: their universality and evolution. By Brent Berlin and Paul Kay. Berkeley & Los Angeles: University of California Press, 1969. Pp. xi, 178. $8.50.2,816 cited
  • 1957Language, Thought, and Reality: Selected Writings of Benjamin Lee Whorf2,743 cited
  • 1971Basic Color Terms: Their Universality and Evolution.2,173 cited
  • 1975Reflections on Language2,045 cited
  • 1948Readings in Social Psychology.2,014 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 1973What the Mind’s Eye Tells the Mind’s Brain: A Critique of Mental Imagery1,343 cited
  • 1959Readings in Social Psychology.1,269 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1957Language, Thought and Reality: Selected Writings of Benjamin Lee Whorf902 cited
  • 1984Approaches to Emotion890 cited
  • 1970Kinesics and context661 cited
  • 1981Questions of Cinema599 cited
  • 1971Signs and Meaning in the Cinema434 cited
  • 1991The Whorfian hypothesis: A cognitive psychology perspective.

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373 cited

Cited by

  • 2006The Impact of Science Fiction Film on Student Understanding of Science144 cited
  • 2010A philosophy of cinematic art137 cited
  • 2003Science Consultants, Fictional Films, and Scientific Practice98 cited
  • 2013Cinematic language and the description of film: keeping AD users in the frame80 cited
  • 2010Audio narration: re-narrativising film80 cited
  • 2007Cognitive Film Theory : An Insider’s Appraisal41 cited
  • 2011The Illusion of Continuity: Active Perception and the Classical Editing System36 cited
  • 2009Spatial Representation in Cognitive Science and Film34 cited
  • 2013Describing Facial Expressions : much more than meets the eye27 cited
  • 2019Film as Embodied Art16 cited
  • 2011Orientalism in the Documentary Representation of Culture5 cited
  • 2014No Way as Way: Towards a Poetics of Martial Arts Cinema5 cited
  • 2018The limits of fiction: politics and absent scenes in Susumu Hani’s Bad Boys (Furyō Shōnen, 1960). A film re-reading through its script5 cited
  • 2018Introduction. The Misleading Discovery of Japanese National Cinema5 cited