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The Joy of Music
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The Joy of Music (1959)The Joy of MusicColloquy: Musicology and the Middlebrow (2020)Colloquy: Musicology and the …Bernstein's Senior Thesis At Harvard: The Roots of a Lifelong Search to Discover an American Identity1 (2016)Bernstein's Senior Thesis At …Theorizing the Golden Age Musical: Genre, Structure, Syntax (2013)Theorizing the Golden Age Mus…Redressing the Black Crook: The Dancing Tableau of Melodrama (2012)Redressing the Black Crook: T…Leonard Bernstein’s The Age of Anxiety: A Great American Symphony during McCarthyism (2011)Leonard Bernstein’s The Age o…Creativity and Discovery as Blind Variation: Campbell's (1960) BVSR Model after the Half-Century Mark (2011)Creativity and Discovery as B…Thoughts on a G string (2009)Thoughts on a G stringBehind the Baton: Exploring Autoethnographic Writing in a Musical Context (2009)Behind the Baton: Exploring A…Cross-modal interactions in the experience of musical performances: Physiological correlates (2008)Cross-modal interactions in t…Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity (2008)Bill Finegan's Gershwin Arran…"Defying Gravity": Queer Conventions in the Musical Wicked (2008)"Defying Gravity": Queer Conv…Why classical music still matters (2007)Why classical music still mat…Jazz and the american identity. (2006)Jazz and the american identit…Creativity in Music Listening (2006)Creativity in Music ListeningA quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity (2006)A quantitative analysis of Be…“WE'LL ALWAYS BE BOSOM BUDDIES” (2006)“WE'LL ALWAYS BE BOSOM BUDDIE…What to Listen for in Music (1957)Willa Cather: The Emerging Voice (1987)Willa Cather: The Emerging Voice (1988)Science and Human Behavior (1953)The Structure of Scientific Revolutions (1963)The Selfish Gene (1976)The nature of creativity: The roles of genetic factors, personality traits, cognitive abilities, and environmental sources. (2016)Children’s Creativity: A Theoretical Framework and Systematic Review (2018)The role of memory in creative ideation (2023)Making Things Perfectly Queer: Interpreting Mass Culture (1993)The queen's throat: opera, homosexuality, and the mystery of desire (1993)Musicking: The Meanings of Performing and Listening (2000)“Queer for Uncle Sam”: Anita’s Latina diva citizenship in West Side Story (2014)Establishing Identity, Finding Community, and Embracing Fluidity (2016)Guiding creative talent. (1962)Some observations on mental models (1983)Defying the crowd: cultivating creativity in a culture of conformity (1995)Expanding Music Listening Experience Through Drawing (2016)Adapting a Music Listening App to Engage Pupils in Personal and Social Development: A Case Study (2019)Perceptions of developing creativity in piano performance and pedagogy: An interview study from the Chinese perspective (2021)Writing Ethnographic Fieldnotes. (1996)The Ethnographic I: A Methodological Novel about Autoethnography (2003)Writing: A Method of Inquiry (2004)A career journey: an auto‐ethnographic insight (2012)Exploring self-regulation through a reflective practicum: a case study of improvement through mindful piano practice (2017)Repetition and Performance in the Recording Studio (2024)Blind variation and selective retentions in creative thought as in other knowledge processes. (1960)Little Science, Big Science (1963)The Mind's Best Work (1981)Longitudinal hit ratios of classical composers: Reconciling "Darwinian" and expertise acquisition perspectives on lifespan creativity. (2008)The Four-C Model of Creativity: Culture and Context (2016)When silver is gold: Forecasting the potential creativity of initial ideas (2019)The World as Will and Representation. (1959)Hand and mind: what gestures reveal about thought (1993)Premotor cortex and the recognition of motor actions (1996)Crossmodal interactions in the perception of expressivity in musical performance (2013)Exploring the effect of sound and music on health in hospital settings: A narrative review (2016)The audio-visual integration effect on music emotion: Behavioral and physiological evidence (2019)3.2. MARXISM AND LITERATURE (2006)Crip theory: cultural signs of queerness and disability (2007)Alto on a Broomstick: Voicing the Witch in the Musical Wicked (2010)Homeward Bound: American Families in the Cold War Era (2017)Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)‘Why We Build the Wall’: Hegemony, memory and current events in Hadestown (2022)Music and Meaning: A Theoretical Introduction to Musical Aesthetics (1973)Who needs classical music?: cultural choice and musical value (2002)Why Classical Music Still Matters (2007)Introduction: Representation in/of Classical Music (2021)The Audible Past (2003)The Limits of Critique (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)
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  • 2011Creativity and Discovery as Blind Variation: Campbell's (1960) BVSR Model after the Half-Century Mark199 cited
  • 2008Cross-modal interactions in the experience of musical performances: Physiological correlates106 cited
  • 2006A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity90 cited
  • 2009Behind the Baton: Exploring Autoethnographic Writing in a Musical Context49 cited
  • 2006Creativity in Music Listening34 cited
  • 2008"Defying Gravity": Queer Conventions in the Musical Wicked21 cited
  • 2006“WE'LL ALWAYS BE BOSOM BUDDIES”15 cited
  • 2007Why classical music still matters14 cited
  • 2020Colloquy: Musicology and the Middlebrow6 cited
  • 2009Thoughts on a G string6 cited
  • 2011Leonard Bernstein’s The Age of Anxiety: A Great American Symphony during McCarthyism6 cited
  • 2013Theorizing the Golden Age Musical: Genre, Structure, Syntax5 cited
  • 2012Redressing the Black Crook: The Dancing Tableau of Melodrama4 cited
  • 2008Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity4 cited
  • 2016

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Bernstein's Senior Thesis At Harvard: The Roots of a Lifelong Search to Discover an American Identity1
4 cited
  • 2006Jazz and the american identity.4 cited