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Conceiving Musical Transdialection
4 references·2 citing·18 second hop
Conceiving Musical Transdialection (2010)Conceiving Musical TransdialectionBach and the Meanings of Counterpoint (2002)Bach and the Meanings of Coun…The Uses of Existing Music: Musical Borrowing as a Field (1994)The Uses of Existing Music: M…Recompositions by Schoenberg Stravinsky and Webern (1986)Recompositions by Schoenberg …Expositions and Developments (1962)Expositions and Developments“I'll Never Know Exactly Who Did What”: Broadway Composers as Musical Collaborators (2015)“I'll Never Know Exactly Who …You're There and You're Not There: Musical Borrowing and Cavell's “Way” (2010)You're There and You're Not T…Philosophical Passages: Wittgenstein, Emerson, Austin, Derrida. (1996)PHILOSOPHY THE DAY AFTER TOMORROW (2006)Listen: A History of Our Ears (2008)The Broadway Musical: A Critical and Musical Survey (1992)Key terms in popular music and culture (2000)Authorship: From Plato to the Postmodern. A Reader (2006)Whose turn is it? Where Gypsy’s finale came from, and where it went (2019)Intertextuality, sampling, and copyright (2015)Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet (2016)Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model (2021)Ida Rubinstein: A Twentieth-Century Cleopatra (1988)"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style (1999)Stravinsky and the Octatonic: A Reconsideration (2002)A Tonal Revolution in Fifths and Semitones: Aaron Copland’sQuiet City (2011)Alban Berg's Op. 5/2 and the Concept of Recomposition (2024)Bach's Feet: The Organ Pedals in European Culture (2012)Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (2012)Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina (2020)
this work references cited by second hop

References

  • 1994The Uses of Existing Music: Musical Borrowing as a Field139 cited
  • 1962Expositions and Developments136 cited
  • 2002Bach and the Meanings of Counterpoint23 cited
  • 1986Recompositions by Schoenberg Stravinsky and Webern11 cited

Cited by

  • 2010You're There and You're Not There: Musical Borrowing and Cavell's “Way”6 cited
  • 2015“I'll Never Know Exactly Who Did What”: Broadway Composers as Musical Collaborators5 cited

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