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Cited by

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• 2021Compound AABA Form and Style Distinction in Heavy Metal25 cited
• 2013The Cambridge Companion to the Symphony22 cited
• 2020Dvořák and Subordinate Theme Closure18 cited
• 2009R hetorical C losure in the F irst M ovement of S chubert ' s Q uartet in C major , D. 46: A D ialogue with D eformation17 cited
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• 2019The First Movement of Mahler’s Tenth Symphony and the “Burden” of Romantic Form15 cited
• 2010Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure13 cited
• 2019The Type 2 Sonata in the Nineteenth Century12 cited
• 2013Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata12 cited