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On Microscopic Hearing: Fairy Magic, Natural Science, and the Scherzo fantastique
16 references·0 citing·37 second hop
On Microscopic Hearing: Fairy Magic, Natural Science, and the Scherzo fantastique (2011)On Microscopic Hearing: Fairy Magic, Natu…Reminiscences of Felix Mendelssohn-Bartholdy (2012)Reminiscences of Felix Mendel…The microscope and the eye: a history of reflections, 1740-1870 (2008)The microscope and the eye: a…E. T. A. HOFFMANN AND THE ETHEREAL TECHNOLOGIES OF ‘NATURE MUSIC’ (2008)E. T. A. HOFFMANN AND THE ETH…Entertaining Entomology: Insects and Insect Performers in the Eighteenth Century (2006)Entertaining Entomology: Inse…A Portrait of Mendelssohn (2003)A Portrait of MendelssohnThe Mendelssohn companion (2001)The Mendelssohn companionStrange and secret peoples: fairies and Victorian consciousness (1999)Strange and secret peoples: f…Instruments and the Imagination (1998)Instruments and the Imaginati…The fabric of life: microscopy in the seventeenth century (1997)The fabric of life: microscop…Tableaux vivants: Landscape, History Painting, and the Visual Imagination in Mendelssohn's Orchestral Music (1997)Tableaux vivants: Landscape, …Music Criticism in Nineteenth-Century France: La Revue et gazette musicale de Paris 1834–80 (1995)Music Criticism in Nineteenth…The Literary Fantastic: From Gothic to Postmodernism (1992)The Literary Fantastic: From …The social history of the microscope (1989)The social history of the mic…A Rhetoric of the Unreal: Studies in Narrative and Structure, Especially of the Fantastic (1984)A Rhetoric of the Unreal: Stu…The evolution of the microscope (1967)The evolution of the microsco…College Music Symposium (1962)College Music SymposiumVoyages, Mesures et Instruments Une nouvelle expérience du monde au Siècle des lumières (1997)Demonstrations: sites and sights of direct action (1999)An essay towards a real character and a philosophical language (2002)The Meanings of Experience (2006)Micrographia, or, Some physiological descriptions of minute bodies made by magnifying glasses :with observations and inquiries thereupon (1665)Gentlemen of Science: Early Years of the British Association for the Advancement of Science (1982)"A Host of Experienced Microscopists": The Establishment of Histology in Nineteenth-Century Edinburgh (2001)One hundred and fifty years of palaeobotany at Manchester University (2005)Extracts from Micrographia: Or, Some Physiological Descriptions of Minute Bodies Made by Magnifying Glasses with Observations and Inquiries Thereupon (2009)Crafting the microworld: how Robert Hooke constructed knowledge about small things (2015)The Picturesque, Studies in a Point of View. (1929)Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie (1988)The Romantic Generation (1995)Classical standards in the period (2000)Religion and literature (2000)The transformation of rhetoric (2000)Cognitive constraints on compositional systems (1992)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Action and Agency Revisited (2013)Beginning to theorize postmodernism (1987)Meta‐television: Popular postmodernism (1987)The Dreadful Credibility of Absurd Things: A Tendency in Fantasy Theory (2002)‘Nature’ in the laboratory: domestication and discipline with the microscope in Victorian life science (1991)The history of the microscope for use in ear surgery. (2000)A Short History of Histopathology Technique (2006)Magnified Vision, Mediated Listening and the ‘Point of Audition’ of Early Romanticism (2013)The Music of the Living-Dead (2015)Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends (2019)The History of Science and the History of Microscopy (1999)Theories in Early Embryology (2002)Natural History (2006)Fore Narratives Through Time (2002)‘The annihilation of space and time’: literature and technology (2012)Nature's Invisibilia: The Victorian Microscope and the Miniature Fairy (2015)The Cambridge History of Musical Performance (2012)The performer and the composer (2012)Vocal performance in the seventeenth century (2012)
this work references cited by second hop

References

  • 1962College Music Symposium299 cited
  • 1998Instruments and the Imagination126 cited
  • 1999Strange and secret peoples: fairies and Victorian consciousness99 cited
  • 2003A Portrait of Mendelssohn87 cited
  • 1967The evolution of the microscope78 cited
  • 1997The fabric of life: microscopy in the seventeenth century76 cited
  • 1984A Rhetoric of the Unreal: Studies in Narrative and Structure, Especially of the Fantastic75 cited
  • 1989The social history of the microscope68 cited
  • 2008E. T. A. HOFFMANN AND THE ETHEREAL TECHNOLOGIES OF ‘NATURE MUSIC’60 cited
  • 1997Tableaux vivants: Landscape, History Painting, and the Visual Imagination in Mendelssohn's Orchestral Music56 cited
  • 1995Music Criticism in Nineteenth-Century France: La Revue et gazette musicale de Paris 1834–8050 cited
  • 1992The Literary Fantastic: From Gothic to Postmodernism49 cited
  • 2008The microscope and the eye: a history of reflections, 1740-187037 cited
  • 2012Reminiscences of Felix Mendelssohn-Bartholdy30 cited
  • 2006Entertaining Entomology: Insects and Insect Performers in the Eighteenth Century29 cited
  • 2001

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The Mendelssohn companion
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