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Art and technology II. A call for collaboration
5 references·3 citing·26 second hop
Art and technology II. A call for collaboration (1969)Art and technology II. A call for collabo…Dada, Surrealism, and Their Heritage (1969)Dada, Surrealism, and Their H…Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century (1969)Beyond Modern Sculpture: The …A Year from Monday; New Lectures and Writings (1969)A Year from Monday; New Lectu…Against Interpretation (1966)Against InterpretationThe New Landscape in Art and Science (1958)The New Landscape in Art and …Technocrats of the Imagination (2020)Technocrats of the ImaginationWhy MIT Institutionalized the Avant-Garde: Negotiating Aesthetic Virtue in the Postwar Defense Institute (2013)Why MIT Institutionalized the…Computer graphics and art (1974)Computer graphics and artThe Technological Society (1954)The Technological Society (1965)Autonomous Technology: Technics-out-of-Control as a Theme in Political Thought (1978)Land-Grant Hybrids: From Art and Technology to SEAD (2017)The New Landscape in Art and Science (1959)The digital computer as a creative medium (1967)Art and the Future (1974)Early Visions of Interactivity: The In(put)s and Out(put)s of Real-Time Computing (2012)Cover stories: An emerging aesthetic of prestige science (2017)The Economic Implications of Learning by Doing (1962)Economy and Society: An Outline of Interpretive Sociology (1969)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Art and technology I. Steps toward a new synergism (1969)Merce Cunningham and the Aesthetic of Collage (2002)Exquisite Corpse (2012)Coordination and Convention: The Organization of the Concert World (1987)The Emergence of Sound Art: Opening the Cages of Sound (2017)The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham (2018)Robotic creatures: Anthropomorphism and interaction in contemporary art (2010)Introduction (2016)Wi-Fi Defiance (2018)Producing Artistic Value: The Case of Rock Music (1994)Precaution, Preemption: Arts and Technologies of the Actionable Future (2009)Hermeneutics and the Human Sciences (2019)The Nature of Op Art: Bridget Riley and the Art of Nonrepresentation (2005)Perceptual Machines: Communication, Archiving, and Vision in Post-War American Design (2012)
this work references cited by second hop

References

  • 1966Against Interpretation481 cited
  • 1969A Year from Monday; New Lectures and Writings102 cited
  • 1969Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century47 cited
  • 1969Dada, Surrealism, and Their Heritage37 cited
  • 1958The New Landscape in Art and Science34 cited

Cited by

  • 1974Computer graphics and art21 cited
  • 2013Why MIT Institutionalized the Avant-Garde: Negotiating Aesthetic Virtue in the Postwar Defense Institute19 cited
  • 2020Technocrats of the Imagination9 cited

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