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'I JUST PUT A DRONE UNDER HIM...': COLLAGE AND SUBVERSION IN THE SCORE OF 'DIE HARD'
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'I JUST PUT A DRONE UNDER HIM...': COLLAGE AND SUBVERSION IN THE SCORE OF 'DIE HARD' (1997)'I JUST PUT A DRONE UNDER HIM...': COLLAG…Who Listens? (2025)Who Listens?2. E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound (2013)2. E Unis Pluribum: Using Men…It’s a sin […] using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music’: The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal (2012)It’s a sin […] using Ludwig v…Music in Films (2009)Music in FilmsFür Elise, circa 2000: Postmodern Readings of Beethoven in Popular Contexts (2005)Für Elise, circa 2000: Postmo…Distinction: A Social Critique of the Judgement of Taste. (1985)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)Distinction: A Social Critique of the Judgement of Taste* (2018)Unheard melodies: narrative film music (1988)Audio-vision: sound on screen (1994)The New Grove dictionary of music and musicians (2001)Cinemusical meanings in motion pictures: commerce, art, and Brando loyalty … or … De Niro, My God, To Thee (2007)La Musicologie du cinéma : enjeux disciplinaires et problèmes méthodologiques (2018)‘Romantic Piano’ and ‘Sleazy Saxophone’ (2020)Human Problem Solving (1972)The way we think: conceptual blending and the mind's hidden complexities (2002)Metaphors We Live By (2003)Choosing the Right Path: Image Schema Theory as a Foundation for Concept Invention (2015)Welcome Back, We’ve Missed You! Humanized Business Communication in Shop Window Messages during Early 2020-Lockdown (2021)Emotion and Meaning in Music (1957)Analysing Musical Multimedia (1998)The Scree Test For The Number Of Factors (1966)Women, Fire, and Dangerous Things (1987)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)
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  • 20132. E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound27 cited
  • 2009Music in Films12 cited
  • 2005Für Elise, circa 2000: Postmodern Readings of Beethoven in Popular Contexts9 cited
  • 2012It’s a sin […] using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music’: The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal7 cited
  • 2025Who Listens?2 cited

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