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James Ensor's pigment use: artistic and material evolution studied by means of portable X‐ray fluorescence spectrometry
15 references·5 citing·33 second hop
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References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 2006Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis201 cited
  • 2001ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects160 cited
  • 2009Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques143 cited
  • 2000Analysis of art objects using a portable x-ray fluorescence spectrometer112 cited
  • 2008A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects101 cited
  • 2008A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials95 cited
  • 2004A new instrument adapted to in situ Raman analysis of objects of art95 cited
  • 2002The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 with Reference to Selected Eighteenth-Century Sources91 cited
  • 2005Development and optimisation of a portable micro-XRF method for in situ multi-element analysis of ancient ceramics88 cited
  • 2008μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts87 cited
  • 2007Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting72 cited
  • 1999A compact small-beam XRF instrument for in-situ analysis of objects of historical and/or artistic value

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59 cited
  • 2006Visualization of pigment distributions in paintings using synchrotron K-edge imaging44 cited
  • 2006A LabVIEW‐controlled portable x‐ray fluorescence spectrometer for the analysis of art objects37 cited
  • Cited by

    • 2011Surface-enhanced Raman spectroscopy analysis of house paint and wallpaper samples from an 18th century historic property24 cited
    • 2015Characterization of Sorolla's gouache pigments by means of spectroscopic techniques15 cited
    • 2014Radiography of paintings: Limitations of transmission radiography and exploration of emission radiography using phosphor imaging plates15 cited
    • 2015Neutron activation autoradiography and scanning macro-XRF of Rembrandt van Rijn’s Susanna and the Elders (Gemäldegalerie Berlin): a comparison of two methods for imaging of historical paintings with elemental contrast15 cited
    • 2011Joaquin Sorolla's pigment characterisation of the paintings ‘Vision of Spain’ by means of EDXRF portable system13 cited