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Will They See Me Coming? Do They Know I'm Running? Los Lobos and the Performance ofMestizajeIdentity through Journey
16 references·2 citing·33 second hop
Will They See Me Coming? Do They Know I'm Running? Los Lobos and the Performance ofMestizajeIdentity through Journey (2009)Will They See Me Coming? Do They Know I'm…Music and Identity (2017)Music and IdentityBorderlands/La Frontera: The New Mestiza (2017)Borderlands/La Frontera: The …The Location of Culture (2012)The Location of CultureAudiotopia: Music, Race, and America (2006)Audiotopia: Music, Race, and …Understanding Popular Music (2003)Understanding Popular MusicThe post-subcultures reader (2003)The post-subcultures readerSound Tracks (2003)Sound TracksIdentity in Narrative: A study of immigrant discourse (2003)Identity in Narrative: A stud…Identity in Narrative (2003)Identity in NarrativeHarvest of Empire: A History of Latinos in America (2000)Harvest of Empire: A History …Questions of Cultural Identity (1997)Questions of Cultural IdentityDangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Dangerous Crossroads: Popular…Rethinking ethnography: Towards a critical cultural politics (1991)Rethinking ethnography: Towar…"With His Pistol in His Hand"; A Border Ballad and Its Hero (1960)"With His Pistol in His Hand"…"With His Pistol in His Hand" (1958)"With His Pistol in His Hand"The decolonial imaginary writing Chicanas into historyThe decolonial imaginary writ…Resisting Whiteness: Mexican American Studies and Rhetorical Struggles for Visibility (2014)Resisting Whiteness: Mexican …Performing Mythic Identity: An Analysis and Critique of “The Ethnogs” (2011)Performing Mythic Identity: A…The Interpretation of Cultures (1974)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)The problem of hegemony: Rereading Gramsci for organizational communication studies (1997)Embodied Knowledge: Writing Researchers’ Bodies Into Qualitative Health Research (2006)Communicating About Culture and Health: Theorizing Culture-Centered and Cultural Sensitivity Approaches (2007)Rethinking authenticity in tourism experience (1999)Discourse Analysis as Theory and Method (2002)The New Mobilities Paradigm (2006)Diasporas (1994)Examining Transformational Resistance Through a Critical Race and Latcrit Theory Framework (2001)Intersectionality and research in psychology. (2009)A Sweet Lullaby for World Music (2000)Youth and Cultural Practice (2002)The Racialization of Space and the Spatialization of Race: Theorizing the Hidden Architecture of Landscape (2007)Intersections: The Simultaneity of Race, Gender and Class in Organization Studies (2008)DOUBLEWEAVING TWO-SPIRIT CRITIQUES (2010)The Rest of Us: Rethinking Settler and Native (2017)Cultural economy: a critical review (2005)The Modalities of Nostalgia (2006)Metrolingualism: fixity, fluidity and language in flux (2009)“We are the border”: identity, exchange, and the state along the Bénin‐Nigeria border (1997)The Natives Are Gazing and Talking Back: Reviewing the Problematics of Positionality, Voice, and Accountability among "Native" Anthropologists (2002)The Deportation Regime (2010)Contrasting perspectives on narrating selves and identities: an invitation to dialogue (2008)Discourse and Identity Construction (2011)Discourse and Identity (2019)Negotiating Hegemonic Masculinity: Imaginary Positions and Psycho-Discursive Practices (1999)Telling Identities: In Search of an Analytic Tool for Investigating Learning as a Culturally Shaped Activity (2005)Toward a Tribal Critical Race Theory in Education (2005)From Virtual Public Spheres to Global Justice: A Critical Theory of Internetworked Social Movements (2005)In Defence of Subculture: Young People, Leisure and Social Divisions (2006)The post-subcultural turn: some reflections 10 years on (2011)
this work references cited by second hop

References

  • 2012The Location of Culture17,820 cited
  • 2017Borderlands/La Frontera: The New Mestiza10,735 cited
  • 1997Questions of Cultural Identity4,250 cited
  • 1991Rethinking ethnography: Towards a critical cultural politics947 cited
  • 2003The post-subcultures reader588 cited
  • 1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited
  • n.d.The decolonial imaginary writing Chicanas into history536 cited
  • 2003Sound Tracks423 cited
  • 1958"With His Pistol in His Hand"384 cited
  • 2003Identity in Narrative376 cited
  • 2017Music and Identity354 cited
  • 2003Identity in Narrative: A study of immigrant discourse349 cited
  • 2003Understanding Popular Music309 cited
  • 1960"With His Pistol in His Hand"; A Border Ballad and Its Hero263 cited
  • 2006Audiotopia: Music, Race, and America258 cited
  • 2000Harvest of Empire: A History of Latinos in America230 cited

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  • 2014

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Resisting Whiteness: Mexican American Studies and Rhetorical Struggles for Visibility
11 cited
  • 2011Performing Mythic Identity: An Analysis and Critique of “The Ethnogs”9 cited