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Reconsidering Stanislavsky: Feeling, Feminism, and the Actor
12 references·1 citing·33 second hop
Reconsidering Stanislavsky: Feeling, Feminism, and the Actor (2002)Reconsidering Stanislavsky: Feeling, Femi…Neural Geographies (2016)Neural GeographiesAn Introduction to Feminism and Theatre (2003)An Introduction to Feminism a…Method acting reconsidered: theory, practice, future (2001)Method acting reconsidered: t…The feeling of what happens: body and emotion in the making of consciousness (2000)The feeling of what happens: …Stanislavsky in Focus (2000)Stanislavsky in FocusSexing the body: gender politics and the construction of sexuality (2000)Sexing the body: gender polit…Unmaking Mimesis: Essays on Feminism and Theatre (1997)Unmaking Mimesis: Essays on F…Signs of Performance: An Introduction to Twentieth-Century Theatre (1996)Signs of Performance: An Intr…Modern Drama and the Rhetoric of Theater (1996)Modern Drama and the Rhetoric…Acting (Re)Considered: Theories and Practices (1995)Acting (Re)Considered: Theori…Stanislavski in Rehearsal The Final Years (1979)Stanislavski in Rehearsal The…An Actor Prepares (1936)An Actor PreparesRage Slaves: The Commodification of Affect in the Five Lesbian Brothers’ The Secretaries (2008)Rage Slaves: The Commodificat…The measurement of psychological androgyny. (1974)The History of Sexuality (1976)Gender As a Social Structure (2004)The Complexity of Intersectionality (2005)Bodies That Matter (2011)Gender, health and theory: Conceptualizing the issue, in local and world perspective (2011)In Spite of the Times (2008)Getting Lost: Feminist Efforts toward a Double(d) Science (2009)The Material of Knowledge: Feminist Disclosures (2010)The Emerging Field of Emotion Regulation: An Integrative Review (1998)Emotional regulation in the workplace: A new way to conceptualize emotional labor. (2000)Both of Us Disgusted in My Insula (2003)Philosophical conceptions of the self: implications for cognitive science (2000)Empathy: Its ultimate and proximate bases (2002)Self-referential processing in our brain—A meta-analysis of imaging studies on the self (2006)The Cambridge Introduction to Theatre Studies (2008)Puro arte: Filipinos on the stages of empire (2013)The Perpetual Immigrant and the Limits of Athenian Democracy (2018)“Mobile statuary”: Refractions of pantomime dancing from Callistratus to Emma Hamilton and Andrew Ducrow (2004)Embodied Perceptual Practices: Towards an Embrained and Embodied Model of Mind for Use in Actor Training and Rehearsal (2004)Reconceptualizing Screen Performance (2006)Rethinking Feminism, Stanislavsky, and Performance (2002)Toward the Integration of Theatre History and Affect Studies: Shame and the Rude Mechs’s The Method Gun (2012)Theatrical Realism as Feminist Intervention: Katie Mitchell’s 2011 Staging of A Woman Killed with Kindness (2013)An Enactive Approach to Understanding Acting (2007)“Disciplined Improvisation” in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds (2012)Perezhivanie and the experience of drama, metaxis and meaning making (2015)Community Theatre as a Means of Empowerment in Social Work (2003)Contemporary Black and Asian Women Playwrights in Britain (2003)The Cambridge History of Twentieth-Century English Literature (2005)Performing heritage: the use of live ‘actors’ in heritage presentations (2002)The Routledge Reader in Politics and Performance (2002)Stripping to the Undercoat: A Review and Reflections on a Piece of Organization Theatre (2004)
this work references cited by second hop

References

  • 2000The feeling of what happens: body and emotion in the making of consciousness5,997 cited
  • 2000Sexing the body: gender politics and the construction of sexuality3,071 cited
  • 1936An Actor Prepares516 cited
  • 1997Unmaking Mimesis: Essays on Feminism and Theatre278 cited
  • 2003An Introduction to Feminism and Theatre146 cited
  • 2016Neural Geographies118 cited
  • 1995Acting (Re)Considered: Theories and Practices78 cited
  • 1996Signs of Performance: An Introduction to Twentieth-Century Theatre71 cited
  • 2000Stanislavsky in Focus60 cited
  • 2001Method acting reconsidered: theory, practice, future45 cited
  • 1996Modern Drama and the Rhetoric of Theater37 cited
  • 1979Stanislavski in Rehearsal The Final Years19 cited

Cited by

  • 2008Rage Slaves: The Commodification of Affect in the Five Lesbian Brothers’ The Secretaries6 cited

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