Embodied Perceptual Practices: Towards an Embrained and Embodied Model of Mind for Use in Actor Training and Rehearsal

Shannon Rose Riley

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Theatre and Performance Studies Artistic and Creative Research Arts and Performance Studies

Abstract

Director: OK. Picture the bug—what does it look like? More importantly, what does it sound like? Move like? Imagine what the bug feels as it crouches near the ground and mimic that position. Now attempt to feel yourself turn into the water bug—starting at the tips of your antennae and moving down through your body. Feel your broad flat back as you move across the room. Feel your jointed legs carry your body. Where is your center of gravity? You exude the smell of a water bug. You see the world around you from the bug’s perspective. What do you see?

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References

1986Speech Genres and Other Late Essays 2000The feeling of what happens: body and emotion in the making of consciousness 2000The Feeling of What Happens: Body and Emotion in the Making of Consciousness 2012Towards a Poor Theatre 2000Twentieth century actor training 1995Acting (Re)Considered: Theories and Practices 1883The Paradox Of Acting 2012Twentieth-Century Actor Training

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