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Embodied Perceptual Practices: Towards an Embrained and Embodied Model of Mind for Use in Actor Training and Rehearsal
11 references·2 citing·26 second hop
Embodied Perceptual Practices: Towards an Embrained and Embodied Model of Mind for Use in Actor Training and Rehearsal (2004)Embodied Perceptual Practices: Towards an…Twentieth-Century Actor Training (2012)Twentieth-Century Actor Train…Towards a Poor Theatre (2012)Towards a Poor TheatreTwentieth century actor training (2000)Twentieth century actor train…The Feeling of What Happens: Body and Emotion in the Making of Consciousness (2000)The Feeling of What Happens: …The feeling of what happens: body and emotion in the making of consciousness (2000)The feeling of what happens: …Introduction: Hijikata Tatsumi: The Words of Butoh (2000)Introduction: Hijikata Tatsum…Hijikata Tatsumi: The Words of Butoh (2000)Hijikata Tatsumi: The Words o…Dancing into darkness: Butoh, Zen, and Japan (2000)Dancing into darkness: Butoh,…Acting (Re)Considered: Theories and Practices (1995)Acting (Re)Considered: Theori…Speech Genres and Other Late Essays (1986)Speech Genres and Other Late …The Paradox Of Acting (1883)The Paradox Of ActingLanguaged and non-languaged ways of knowing in counselling and psychotherapy (2011)Languaged and non-languaged w…Knowing Performance: Performance as Knowledge Paradigm for Africa (2009)Knowing Performance: Performa…Project for a scientific psychology. (1954)Intentionality (1983)Solving the Emotion Paradox: Categorization and the Experience of Emotion (2006)A paradigm for performance studies (1987)The Cambridge Introduction to Theatre Studies (2008)Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention (2018)Philosophical conceptions of the self: implications for cognitive science (2000)Empathy: Its ultimate and proximate bases (2002)Self-referential processing in our brain—A meta-analysis of imaging studies on the self (2006)Expansive Learning at Work: Toward an activity theoretical reconceptualization (2001)Discourse Analysis as Theory and Method (2002)Learning by Expanding (2014)How still is still? Exploring human standstill for artistic applications (2014)Artistic Performance: Acting, Ballet, and Contemporary Dance (2006)The Fate of the Dramatic in Modern Society: Social Theory and the Theatrical Avant-Garde (2013)How geopolitical becomes personal: Method acting, war films and affect (2019)Kung Fu Fighting: The Cultural Pedagogy of the Body in the Vovinam Overseas Vietnamese Martial Arts School (1998)“Mobile statuary”: Refractions of pantomime dancing from Callistratus to Emma Hamilton and Andrew Ducrow (2004)Reconceptualizing Screen Performance (2006)Hero takes a fall: A lesson from theatre for leadership (2010)Intimate strangers: friendship, exchange and Pacific encounters (2011)Shakespeare and the Visual Imagination (2015)Ellen Stewart La Mama of Us All (2006)“Disciplined Improvisation” in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds (2012)Dancing the Elemental Body: Butoh and Body Weather: Interviews with Tanaka Min and Yumi Umiumare (2006)Empty? A critique of the notion of ‘emptiness’ in Butoh and Body Weather training (2010)
this work references cited by second hop

References

  • 1986Speech Genres and Other Late Essays9,076 cited
  • 2000The feeling of what happens: body and emotion in the making of consciousness5,997 cited
  • 2000The Feeling of What Happens: Body and Emotion in the Making of Consciousness3,393 cited
  • 2012Towards a Poor Theatre497 cited
  • 2000Twentieth century actor training95 cited
  • 1995Acting (Re)Considered: Theories and Practices78 cited
  • 1883The Paradox Of Acting67 cited
  • 2012Twentieth-Century Actor Training60 cited
  • 2000Hijikata Tatsumi: The Words of Butoh44 cited
  • 2000Dancing into darkness: Butoh, Zen, and Japan37 cited
  • 2000Introduction: Hijikata Tatsumi: The Words of Butoh36 cited

Cited by

  • 2009Knowing Performance: Performance as Knowledge Paradigm for Africa11 cited
  • 2011Languaged and non-languaged ways of knowing in counselling and psychotherapy8 cited

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