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Considerações sobre a análise de Grundgestalt aplicada à música popular
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Considerações sobre a análise de Grundgestalt aplicada à música popular (2014)Considerações sobre a análise de Grundges…The Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis (2023)The Role of Organicism in the…Music Theory and Analysis in the Writings of Arnold Schoenberg (1874�1951) (2017)Music Theory and Analysis in …Chovendo na roseira de Tom Jobim: uma abordagem schenkeriana (2010)Chovendo na roseira de Tom Jo…“It Don't Mean a Thing if It Ain't Got That Grundgestalt!”—Ellington from a Motivic Perspective (2008)“It Don't Mean a Thing if It …An Application of the Grundgestalt Concept to the First and Second Sonatas for Clarinet and Piano, Op. 120, No. 1 & No. 2, by Johannes Brahms (2004)An Application of the Grundge…Developing Variation and Schoenberg's Serial Music (1997)Developing Variation and Scho…Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music (1992)Schoenberg's Op. 22 Radio Tal…Gershwin's Art of Counterpoint (1984)Gershwin's Art of CounterpointBrahms and the Principle of Developing Variation (1984)Brahms and the Principle of D…"Grundgestalt" as Tonal Function (1983)"Grundgestalt" as Tonal Funct…Style and Idea. Selected Writings of Arnold Schoenberg (1976)Style and Idea. Selected Writ…Fundamentals of Musical Composition (1968)Developing Variations: Style and Ideology in Western Music (1993)The Cambridge Companion to Brahms (1999)Simbologia e hereditariedade na formação de uma Grundgestalt: a primeira das Quatro Canções Op.2 de Berg (2013)The Structure of Atonal Music (1974)A Methodology for the Discussion of Contour: Its Application to Schoenberg's "Music" (1985)Generalized Musical Intervals and Transformations (1987)"Ist Alles Eins": Schoenberg and Symmetry (2004)Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (2014)Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function (2019)Studying Popular Music (1991)The American popular ballad of the Golden Era, 1924-1950 (1996)Structural Functions of Harmony (1954)Musical Forces and Melodic Patterns (2016)Understanding the leitmotif: from Wagner to Hollywood film music (2016)An Interrogation of Language: “Radical Jewish Culture” on New York City's Downtown Music Scene (2010)The Cambridge Companion to Duke Ellington (2014)The land of suites: Ellington and extended form (2014)Schenkerian analysis and Popular Music (2000)Theory on the South Side: Muhal Richard Abrams's Engagement with Joseph Schillinger's System of Musical Composition (2023)Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)Derivative Analysis and Serial Music: the Theme of Schoenberg's Orchestral Variations Op.31 (2016)Variation and Developing Variation under a Transformational Perspective (2019)The Lessons of Arnold Schoenberg in Teaching the Musikalische Gedanke (2009)Schoenberg’s Sentence (2018)Liquidation and Its Origins (2019)Brahms and Twentieth-Century Classical Music (1984)The Propulsion Model of Creative Contributions Applied to the Arts and Letters (2001)The Cambridge Companion to Opera Studies (2012)Brahms and Schenker: A Mutual Response to Sonata Form (1994)Atonality, Analysis, and the Intentional Fallacy (1996)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)
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References

  • 1984Brahms and the Principle of Developing Variation189 cited
  • 1976Style and Idea. Selected Writings of Arnold Schoenberg170 cited
  • 1983"Grundgestalt" as Tonal Function61 cited
  • 1992Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music48 cited
  • 2017Music Theory and Analysis in the Writings of Arnold Schoenberg (1874�1951)36 cited
  • 1997Developing Variation and Schoenberg's Serial Music30 cited
  • 2008“It Don't Mean a Thing if It Ain't Got That Grundgestalt!”—Ellington from a Motivic Perspective27 cited
  • 1984Gershwin's Art of Counterpoint14 cited
  • 2010Chovendo na roseira de Tom Jobim: uma abordagem schenkeriana7 cited
  • 2004An Application of the Grundgestalt Concept to the First and Second Sonatas for Clarinet and Piano, Op. 120, No. 1 & No. 2, by Johannes Brahms4 cited
  • 2023The Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis4 cited

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