Brahms and the Principle of Developing Variation

Walter Frisch

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

In this analytical study of eighteen important works by Brahms, Walter Frisch makes skillful use of Schoenberg's provocative concept of "developing variation." Frisch traces a genuine evolution through Brahms's compositions; he considers their relationship not only to each other, but also to significant works by Beethoven, Schubert, Schumann, Liszt, and Schoenberg.

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1996Atonality, Analysis, and the Intentional Fallacy 1994Brahms and Schenker: A Mutual Response to Sonata Form 1999Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio 2013Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms 2012Emotions in Music 2013The Viennese symphony 1750 to 1827 2002Thematic and motivic analysis 2018Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music

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