No open-access location is known for this record yet.
No open-access location is known for this record yet.
This article explores the role of widely circulated images of Afghan people in building public support for the 2001–2002 U.S. war with Afghanistan. Emphasizing images of women, I argue that these representations participate in the more general category of “the clash of civilizations,” which constitutes a verbal and a visual ideograph linked to the idea of the “white man's burden.” Through the construction of binary oppositions of self and Other, the evocation of a paternalistic stance toward the women of Afghanistan, and the figuration of modernity as liberation, these images participate in a set of justifications for war that contradicts the actual motives for the war. These contradictions have a number of implications for democratic deliberation and public life during wartime.
Loading…
Stored only when both papers are in the corpus — 265 citations exist upstream.
Imported from OpenAlex (CC0) — nothing here is generated.