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Imprinting on the Heart: Photography and Contemporary Yolngu Mournings
16 references·0 citing·38 second hop
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this work references cited by second hop

References

  • 1960The Ontology of the Photographic Image748 cited
  • 2002Raw histories: photographs, anthropology and museums454 cited
  • 1995Ancestral Connections: Art and an Aboriginal System of Knowledge.372 cited
  • 1994Embedded Aesthetics: Creating a Discursive Space for Indigenous Media269 cited
  • 2000The Meaning of the Steps is in Between: Dancing and the Curse of Compliments215 cited
  • 2006Shimmering Screens: Making Media in an Aboriginal Community171 cited
  • 1998Body, Vision and Movement: in the Footprints of the Ancestors81 cited
  • 1973Australian Religions: An Introduction69 cited
  • 2007Melodies of Mourning: Music and Emotion in Northern Australia58 cited
  • 2006Ancestors, magic, and exchange in Yolngu doctrines: extensions of the person in time and space57 cited
  • 2004Material and Memory50 cited
  • 2003Photos in Wiradjuri Biscuit Tins: Negotiating Relatedness and Validating Colonial Histories42 cited
  • 2003The Changing Photographic Contract25 cited
  • 2007Melodies of Mourning: Music & Emotion in Northern Australia24 cited
  • 2009The Concept of ‘Marr’ in Arnhem Land22 cited
  • 1999

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Touching the land: towards an aesthetic of Balgo contemporary painting
19 cited

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